A Quote by Gordon Lightfoot
I once performed The Wreck of the Edmund Fitzgerald to about 15 sea captains. The song was about a ship that broke in half and sank.
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Every time you wanted to do something, you'd hope it would score. You'd keep trying and trying, and all of the sudden, something would come right out of left field, like 'The Wreck of the Edmund Fitzgerald.' No one had any idea about that one.
Managers think of themselves as captains of a ship on a stormy sea. Risk for them is danger, but they are fighting it, very controlled.
I'm a curious guy. I can't turn away from an investigative story, when it comes to the forensic analysis. I've done 33 dives, to the titanic wreck site. I've spent over 50 hours piloting robotic vehicles at that wreck trying to piece together what happened during the disaster. How the ship broke up, comparing the historical record with the forensic record. Documentaries are kind of my new life. I love documentary filmmaking.
You can make a hit song in 15 minutes. I don't know about someone else's song, but songs that people like of mine, I've created in 15 minutes or less.
My 20s was a sea of worry. I worried about benefit forms, about being thrown out of my flat. I never went on holiday because I thought: 'What if an audition comes up?' I was a nervous wreck.
We are like sailors who on the open sea must reconstruct their ship but are never able to start afresh from the bottom. Where a beam is taken away a new one must at once be put there, and for this the rest of the ship is used as support. In this way, by using the old beams and driftwood the ship can be shaped entirely anew, but only by gradual reconstruction.
I'm not great about putting on make-up, I look like a wreck half the time.
When I put out to sea, I do not offer advice to the skipper about the management of the ship.
People are always making a fuss over my $15-20-million salaries. Believe me, the amount is meaningless once my wife, Maria, finds out about it. She's already spent half of my salary from Terminator 7!
I think one of the things about writing in the studio is that the song hasn't matured, if you like, so quite often the vocals are early attempts. Whereas once you've taken it out on the road a bit, you learn more about a song.
I remember writing a song when I was about 15. This is the one I can remember. I know I'd been writing poetry for a long time, since I was about eight, but I remember my first one that I put to chords. I was really trying to be like the psychedelic era Beatles, I was obsessed. All I could think about was Beatles and Hendrix. So I tried to write a psychedelic song, and it was the worst. I couldn't even... If I read it now - I still have the book somewhere - it makes me cringe out loud. It was just about psychedelic stuff.
What is most appalling in an F. Scott Fitzgerald book is that it is peopleless fiction: Fitzgerald writes about spectral, muscledsuits; dresses, hats, and sleeves which have some sort of vague, libidinous throb. These are plainly the product of sickness.
The human heart is like a ship on a stormy sea driven about by winds blowing from all four corners of heaven.
The Wisconsin senator gets up and says out loud what half of the country is thinking and talks about every day. This President broke the law and lied about it; he trashed the Constitution and hides himself in the flag.
About 25 years ago, when I was 15, I wrote a song called 'Indradhanush', which speaks about the seven colours, equating each with emotions that we as human beings experience.
He had said, "I am a man," and that meant certain things to Juana. It meant that he was half insane and half god. It meant that Kino would drive his strength against a mountain and plunge his strength against the sea. Juana, in her woman's soul, knew that the mountain would stand while the man broke himself; that the sea would surge while the man drowned in it. And yet it was this thing that made him a man, half insane and half god, and Juana had need of a man; she could not live without a man.
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