A Quote by Gordon Parks

I do find a certain fascination with the unpredictable. The transitory years we wade through are what they are- what we make of them. — © Gordon Parks
I do find a certain fascination with the unpredictable. The transitory years we wade through are what they are- what we make of them.
If you spend enough time reading or writing, you find a voice, but you also find certain tastes. You find certain writers who when they write, it makes your own brain voice like a tuning fork, and you just resonate with them. And when that happens, reading those writers ... becomes a source of unbelievable joy. It’s like eating candy for the soul. And I sometimes have a hard time understanding how people who don’t have that in their lives make it through the day.
Means are more important than ends in the civilized struggle for ideas. Our dreams may be the loveliest on earth, but if we wade through blood and terror to achieve them, we will arrive to find ourselves destroyed. Don't kill.
I find a fascination, like the fascination for the moth of a star, in those who hold aloof and disdain me.
This is my life now. Absurd, but unpredictable. Not absurd because unpredictable but unpredictable because absurd. If I have lost the meaning of my life, I might still find small treasured things among the spilled and pilfered trash.
The past is history written in stone that can't be altered. The future is transitory and never guaranteed. Today is the only thing you can alter for certain. Make the most of it.
In my professional life, when I started I felt it was very transitory. You meet people, you have to make this very intense connection and then you might not see them for two years. It was kind of odd and when I started out I didn't like it.
This is part of the fundamental character of Buddhism that I find problematic - that it is not interested in anything. Hence the 'Fascination' in the title of the essay, the fascination of art and creativity, stands in opposition to what is called 'Liberation'.
You cannot walk on the water of hunger, misery, and death. You have to wade through to record them.
Modernity is the transitory, the fugitive, the contingent, which make up one half of art, the other being the eternal and the immutable. This transitory fugitive element, which is constantly changing, must not be despised or neglected.
The images evoked by words being independent of their sense, they vary from age to age and from people to people, the formulas remaining identical. Certain transitory images are attached to certain words: the word is merely as it were the button of an electric bell that calls them up.
There are certain times when you can maybe intimidate certain people to force them to make a mistake. There are other people you know that you've got to make a clean pass. I try to make clean passes. That's something that I've been doing since I was 7 years old and that's the way I like to do it. It doesn't mean I always do it that way, but that's the way I prefer to do it.
Sometimes it's good to be ready for the unpredictable. I'm glad that I can go through unpredictable situations. It's a good thing.
I think the fascination with zombies is that they don't obey the rules of monsters. The first rule of monsters is that you have to go find them. You have to make a conscious choice to go to the swamp or the desert or the abandoned summer camp.
When you have beaten guys a few times, you don't want them to think they know how you are going to play them. You have to try and find different ways of beating them. You have to do things they don't expect sometimes, put something unpredictable into your game.
I have found, through years of practice, that people garden in order to make something grow; to interact with nature; to share, to find sanctuary, to heal, to honor the earth, to leave a mark. Through gardening, we feel whole as we make our personal work of art upon our land.
The usual reproach against the essay, that it is fragmentary and random, itself assumes the givenness of totality and suggests that man is in control of this totality. The desire of the essay, though, is not to filter the eternal out of the transitory; it wants, rather, to make the transitory eternal.
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