A Quote by Gordon Ramsay

We're fragile, fragmented souls who are very sensitive to criticism. — © Gordon Ramsay
We're fragile, fragmented souls who are very sensitive to criticism.
It's an artist's choice to listen to criticism or not. I'm very sensitive to criticism.
It's very advantageous to be sensitive with your work - and, yet, being sensitive, in reality, when criticized, it can annihilate you. It can destroy you. And with the internet there sometimes is a lot of harm, which I find must be very difficult for youngsters coming on - it can be very harsh; the criticism. And, sometimes, it can be a little cruel - which makes it hard for young performers coming on.
The one thing about players today is that they're very sensitive, and very fragile. They didn't grow up with tough coaches.
We think Android is very, very fragmented, and becoming more fragmented by the day. And as you know, Apple strives for the integrated model so that the user isn't forced to be the systems integrator.
Criticism can be devastating. When push comes to shove, we are all very sensitive.
I'm very sensitive to criticism, particularly when it's very, very personal.
I wish I could unknow this, but there is a perception of me that I'm super-sensitive and fragile. And I am super-sensitive, and I don't think that that's a bad thing. To do what I do, I have to remain open.
I don't have a very high opinion, actually, of the world of criticism - or the practice of criticism. I think I admire art criticism, criticism of painting and sculpture, far more than I do that of say films and books, literary or film criticism. But I don't much like the practice. I think there are an awful lot of bad people in it.
Creativity is contagious. And so is banality. Criticism is an art in itself. Don't let the dullness around destroy the creativity within. T.S. Eliot said, "honest criticism and sensitive appreciation is directed not upon the poet but upon the poetry." Good to remember.
'The bully pulpit' is somewhat diminished in our age of fragmented attention and fragmented media.
Some people are as fragile as butterflies and sensitive and it’s your responsibility not to destroy them. Just because you can
I got hit in the face with a gun. I'm not very fragile at all. It makes me think maybe things would be easier if I were terribly frail and fragile somehow.
My wife's an architect, so she definitely has a very high-risk artistic profession, and she gets the idea that you're really sensitive, you really care what people think, you have a low threshold for criticism.
There are a lot of people who want to be famous nowadays: singers, actors and, you know, it's like a roller-coaster. And when you are very sensitive - I'm very sensitive - you have to be very strong... You have to just not pay attention to the people who hate you, you know?
Certainly professionally, yes [I was interested more in history]. And literary criticism, the structure of poetry. But it is primarily as a historian that I work, although text criticism and literary criticism are very much a part of my interests.
It's only normal for me to work with my family because I think they are talented and because there's a warmth when I'm working. As a filmmaker, sometimes you are very fragile. You are in a very fragile situation most of the time. I think it's important to be surrounded by people you just get along with.
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