A Quote by Gordon Hayward
I was literally the last Jazz player left who played under Coach Sloan - and I always took that as a lot more than just some piece of trivia. That was something that truly made me feel like a part of the fabric of this franchise. And that fabric is something that has meant a lot to me, ever since.
Related Quotes
Some of the guys I played with .. didn't go around learning more about their instruments from an intellectual point of view. All they wanted was to play hot jazz, and the instrument was just a means. I'd imagine that a lot of them criticized me-said my technique was too good. Something like that. But I've always wanted to know what made music. How you do it, and why it sounds good. I always practiced, worked like hell.
I wasn't a girl who grew up wearing dresses, but I was always attracted to fabric. When we'd go to a shop, the fabric I'd pick was always the most expensive. It was always the silk or cashmere. It was something in me, that desire to choose quality. It's the same now.
I really like to absorb the project and watch it and work on the music a lot and just get the feel for it until eventually a moment comes where I know I've got it. A lot of it is trial and error. Some days a piece of music doesn't work then other day another piece of music finally says something and works with the picture and suddenly casts a light on all the other stuff you've done - probably because my mind is getting to understand it and the piece is educating me. I always feel like the score is in there already somewhere and I just have to channel it and accent it.
For me, 'The Brady Bunch' is just a part of the fabric of my career, but for a lot of people, that's it.
I don't watch TV, so I feel like I'm left out of the American fabric or something.
Jazz is more raw than punk in a lot of ways. It's so expressive. A lot of people say to me, especially older people, 'It took me ages to get into jazz.'
We are individual designs in the fabric of life. We have our own integrity, but simultaneously we are part of the fabric, connected to and defined by the whole. Community is the human dimension of that fabric.
I recognize that memory is far from infallible though. If I feel like I can't accurately describe something, I just leave it out. I also do things like write "he talked about ..." instead of writing direct quotes. But generally I feel like since my stories are very obviously meant to be my perception of an event rather than the objective truth this gives me a lot of leeway.
Will you listen to me just this once?” he nearly yelled. “I . . . I like you, Maddy. I mean, more than just as a friend. Are you so stubborn you can’t see that? Maybe last night meant nothing to you, but it meant something to me.” His eyes were vulnerable, almost tortured. “Did you ever even consider that I might love you, you stubborn, impossible girl?
Jazz sometimes can be really complicated and inaccessible to people because they don't know what to start with. You can start with something that you love, but if you start with something that you hate, then it's like, 'You know what, I hate jazz.' It took me a lot of time to catch on to jazz, too.
It's the ultimate for me not to see how it's made. I find it vulgar when you can distinguish how something is made. I used to be a student at the Chambre Syndicale de la Haute Couture in Paris, and once I got to go to a Saint Laurent couture show. Everyone was always talking about how fabulous the tailoring was, but I was transfixed by this one particular dress. It was just a piece of fabric, but as the model was walking, you didn't know how she got into it, how it closed, where the seams were, and that, for me, was perfection. It stayed with me as a lifelong vision.
Just as a child, before I ever knew what ballet was, there was something in me where I was always searching for something structured, something that was bigger than me, and something so historical that I could be a part of. I didn't find that until I stepped into the ballet world, and it was overwhelming, the feeling of being a part of something that's bigger than you.
I've always resented the force of attraction that traps me here on Planet Earth. It makes me feel like a bug stuck to a piece of duct tape. Ever since my teenage years, when I used to read a lot of science fiction and took it much too seriously, I've dreamed of somehow reaching escape velocity. I am, you might say, anti-gravity.
The Knicks left me open a lot of times the last time we played them, and I was just making sure I took the shots that were there.
For me it's the hypnotic simplistic reduction of hooks into some form of prayer wheel or something. I really appreciate people who can work in those quiet environments making really precious latticework like lace in a weaving but, for me, I like it a bit more hairy and like psychedelic Peruvian knits or something! You know what I mean? I go into fabric analogies, you know.
I've gotten a lot of exposure for my writing. My writing blog has gotten over 1000 unique hits since the Observer piece (quite a lot as before it was something like 20 people a day if I was lucky.) But more importantly the coverage exposed me to and so has allowed me to connect with a lot of new people I really enjoy interacting with.
Related Authors
Brittney Griner Quotes
American
Basketball Player
Dennis Rodman Quotes
American
Basketball Player
Diana Taurasi Quotes
American
Basketball Player
Jabari Parker Quotes
American
Basketball Player
Jermaine O'Neal Quotes
American
Basketball Player
Jrue Holiday Quotes
American
Basketball Player
Kobe Bryant Quotes
American
Basketball Player
LeBron James Quotes
American
Basketball Player
Magic Johnson Quotes
American
Basketball Player
Michael Jordan Quotes
American
Basketball Player
P. J. Tucker Quotes
American
Basketball Player
Rasheed Wallace Quotes
American
Basketball Player
Ricky Rubio Quotes
Spanish
Basketball Player
Shaun Livingston Quotes
American
Basketball Player
Spencer Dinwiddie Quotes
American
Basketball Player
Tyler Herro Quotes
American
Basketball Player