A Quote by Gordon Hayward

Sometimes it's hard to be aggressive in looking for your shot if shots aren't going in. — © Gordon Hayward
Sometimes it's hard to be aggressive in looking for your shot if shots aren't going in.
I plot the par 5s back from the green and make my plan. If I can reach the green in two shots, I'm going to be aggressive off the tee. But if 's a three-shot hole, the goal changes. You want to put yourself in position to hit your favorite shot to the green.
Sometimes the shots you play in T20s don't look good and you feel that you got out on a bad looking shot.
I'm just trying to be aggressive. Be aggressive with my shot. Be aggressive going to the rim.
The time to hurry is in between shots. It's not over the shot. It's timing how people walk. You have to add that to the equation. If you've got somebody walking slow and they get up to the shot and take their 20 seconds, what's the aggregate time for them to hit that shot in between shots? That's what really matters. It's not the shot at hand.
Sometimes I wanted to be aggressive. I felt like if I wasn't getting shots up or if I wasn't being overly aggressive on defense then I wasn't playing good. I finally realized just to slow down and just let the game come to you.
Sometimes you get nervous because you cannot make shots and then you rush your shot and then you take bad shots and then you get even more nervous.
For me, it's just finding ways to create shots. I feel like if I got a shot off, it has a good chance of going in. So it's finding ways of creating different shots. Being smart. I watch film a lot, and different tricks that I can do to get my shot off the ball and creating ways to get shots off of pick-and-rolls or one-on-one situations like that.
Every shot feels like the first shot of the day. If I'm on the range hitting shot after shot, I can hit them just as good as I did when I was 30. But out on the course, your body changes between shots. You get out of the cart, and you've got this 170-yard 5-iron over a bunker, and it goes about 138.
I believe that good defense embodies seven cardinal principle: reduce the number of your opponent's shots; force your opponent into low percentage shots; control everything within 18 feet; eliminate second shots; no easy baskets; point the ball on all long shots; and prevent the ball from going into the pivot man.
If I can do a scene in one shot, it's in one shot. Most of my shots are pretty long. I think with 'Looking,' what we have in the first minute is a whole episode of a traditional TV show. I like to let things breathe; I like to let things have a certain tone.
Sometimes with Polaroids, the shot you want to get in your head doesn't happen. What it makes me do is be patient, I guess, or let go of that presumption of what the shot's going to be.
When you play a tiebreaker, you dont have time to think of anything, ... You have to go for your shots because one shot can make such a difference. Thats the kind of shot that can break an opponent.
I'm not better when I force shots. I'm going to take them as they come. They are really sagging in there, trying to take me out of the game. It's my job to find guys. I want to be aggressive and take my shots, but I can't force them.
But now the shots began—not many, but one shot is a fusillade if there have been no shots before.
Sometimes shots just don't go my way, but for me in my growth and as a leader, it's important for me to stay aggressive.
I've storyboarded for things other people have shot. So thinking in shots and orchestrating shots is not foreign to me at all.
This site uses cookies to ensure you get the best experience. More info...
Got it!