A Quote by Grant Bowler

The funny thing is, the older I get, the less I enjoy talking when I act. I don't like talking anymore. I like behavior. All of the running and gunning, and the fights and the stunts, is just awesome fun.
In my efforts to better my stamina and career, I find myself becoming more monk-like. And I'm not talking about the 'holy, praying, create awesome Trappist beer'-type monk. I'm talking about the 'go to bed early, no drinking, no talking, and no having any fun'-type monk.
I like to talk. Talking is kind of my thing. If talking had been a sport option at Wexford, I would have been captain. But sports always have to involve running, jumping, or swinging your arms around. You don’t get PE points for the smooth and rapid movement of the jaw.
I love talking baseball. I think it's an interesting subject, I think it's something I'm familiar with. It's something I can constantly learn about, I do like talking with the fans and I do like talking with everyman. I really enjoy it.
I like ones that pertain to the music they make. Talking Heads does that somehow. More often than not band names are just a quirky joke that doesn't really stay funny for very long. It's like Homer Simpson's barbershop quartet, the Be Sharps. At first you're like, 'That's funny!' Then you're like, 'It's not that funny.'
Just for fun, I'm really goofy and I would love to do some stupid comedy. I'm talking, like, crazy, out there, Will Ferrell type of thing. I love it; I think those movies are so funny.
Just for fun, I'm really goofy and I would love to do some stupid comedy. I'm talking, like, crazy, out there, Will Ferrell type of thing. I love it, I think those movies are so funny.
I don't know a lot about politics. I like talking about human behavior. Politicians are funny to me because they often say one thing and behave a different way.
I enjoy talking to young people, and talking to people about helping young people. That part is not a chore. It's pretty fun, and something I like to do because I think it's important.
I thought I wouldn't enjoy the business side of music, but it's fun because it is completely - like running a DIY venue was the same exact thing but just on a smaller scale and a DIY tour is the same thing. You're just running a small business. Like we live within the paradigm of capitalism. Even if I'm going in playing these anarcho spaces, I still have to buy gas.
Interestingly it's when you come to the comedy, that's where a lot of the discussion is. It's like ten people sitting around talking about what is funny. "Is that funny? Is that funnier than that? Is this slightly funnier than this?" I guess that's what it's like when you're making a comedy movie as well, you just have to sit around talking seriously about the nature of comedy.
It's pretty awesome to see people dressed up in period clothing and running around on horses and in carriages and all that kind of thing. Part of the fun of making a period film is just that playfulness. It's just like make believe when you're a child except you get to do it for a real job.
The problem is there's a new group. I'm talking about this tiny slice of people that have gotten way too fired up about the Trump thing for the wrong reasons. I'm talking about these people that as soon as Trump won, they're like, we don't have to pretend like we're not racist anymore. We don't have to pretend anymore. We can be racist again. Whoa, whoa, whoa, no, no. If you're one of these people, please go back to pretending.
I was walking around bored one day, and I started filming stuff with my cellphone. There are all these shows where people are trying to do these outrageous stunts, and I thought it would be funny to do all these stunts that aren't outrageous but then act like they are.
These kinds of fights, these big fights that get everyone talking and interested, these are the fights I want.
I like getting older. I always looked younger than I was, and I found that people wouldn't give me the room to speak. The older I get, it's like, 'Oh, I'm still talking, and they're still listening.'
The thing about being on the majors, from the beginning, going into this, I was like, "I'm not going to be treated like a factory," because that's never the way it was done before. You're talking about a major label, we're talking about serious business; you're not an artist anymore, you're a business, you have to work in terms of product, you have to release a product, and I don't really think that way at all.
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