A Quote by Grant Imahara

I worked at ILM the same time Masi Oka was there. Who would have thought that two Asian-American nerds from ILM would be on hit shows? — © Grant Imahara
I worked at ILM the same time Masi Oka was there. Who would have thought that two Asian-American nerds from ILM would be on hit shows?
The way that Lucasfilm used ILM was George never restricted his thinking to things that he knew could be executed with the tools at the time. He would write what he thought would be cool and what he wanted from a storytelling standpoint with the assumption that, 'Well, they'll figure it out!'
People always ask why I would leave ILM, and it's because 'Mythbusters' sounded like fun.
On 'Heroes' I got to work with Greg Grunberg all the time and Masi Oka, and they both are just wonderful actors. I don't know - you learn so much by watching people like that, I guess.
'Baby's Day Out' is maybe not a great movie, but... No, I've enjoyed and learned things from every project I've worked on. That was an important step in my career at ILM.
Working on movies and TV is a blast, and ILM has the most talented people in the world. But on 'Mythbusters' I've been able to go places I would never have access to otherwise.
ILM was the first company that I had worked at that had a computer-graphics division.
We have an amazing team at ILM who can create fantastic effects.
With the first novel, I was concerned I would be pigeon-holed as an Asian-American writer, and the book would be labeled for Asian-Americans only.
If you were a new guy at ILM, they put you on the night crew - my shift was from 7 P.M. to about 5 A.M. In my free time, I was working on an idea with my older brother, a software engineer getting his doctorate at the University of Michigan. Ultimately, it developed into Photoshop.
If you imagine yourself as a craftsman at ILM, you spend your days tumbling buses and animating shards of glass. You're doing a lot of visual effects work.
"The Prince Of Tides" is a lot about my mother - what my mother would do after Dad would hit one of the kids or hit two of the kids, hit all the kids, hit her, she would usually get in the car. We'd drive out. She would say, I'm going to divorce him. I'm never going back.
It's been a dream to work alongside the talented team at Lucasfilm and ILM to make advancements and improvements to the filmmaking process to help tell stories more efficiently.
We feel an affinity with a certain thinker because we agree with him; or because he shows us what we were already thinking; or because he shows us in a more articulate form what we were already thinking; or because he shows us what we were on the point of thinking; or what we would sooner or later have thought; or what we would have thought much later if we hadn’t read it now; or what we would have been likely to think but never would have thought if we hadn’t read it now; or what we would have liked to think but never would have thought if we hadn’t read it now.
It's part of the culture at ILM and at Lucasfilm that the work is better when you collaborate, you know. There's this culture of open exchange, a wonderful ego-free sharing of ideas and talent.
A lot of 'Star Wars' fans who are specifically Asian never had a character they could dress up like, or they would, and people would always call them 'Asian Rey' or 'Asian fill-in-the-blank.'
Unfortunately, once I did learn to smoke, I couldn't stop. I escalated to two packs a day very quickly, and stayed that way for about ten years. When I decided to stop, I adopted the method that my father had used when he quit. He would carry a cigarette in his shirt pocket, and every time he felt like smoking, he would pull out the cigarette and confront it: "Who stronger? You? Me?" Always the answer was the same: "I stronger." Back the cigarette would go, until the next craving. It worked for him, and it worked for me.
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