A Quote by Greg Behrendt

Let's call cheating what it is: a complete betrayal of trust. Cheaters are people who have a lot of stuff to work out and they're working it out on your time and with your heart. Some cheaters might give you an excuse, some might not have one at all, some might even blame you. No one can tell you exactly what to do when faced with this very complicated and painful situation. But the bottom line is, is this what you had hoped for in a relationship?
Cheaters are people who have a lot of stuff to work out, and they're working it out on your time and with your heart.
You might measure your approach to a horse the same way as your approach to people because there are going to be some horses, like some people, who might be inclined to tune you out.
Yes, we're trying some new stuff. Some of it might work. Some of it might not. This, of course, is the nature of episodic television. They can't all be gems.
It's like you might have some great scene that you love but for some reason - and you can't necessarily put your finger on it - the movie's not working or it seems slow or ponderous in some way, and even though it has your favorite scene in there, actually the favorite scene is the culprit. That's the painful thing about editing, is trying to locate those things that are holding the movie back and then having the guts to cut them. And it is painful to do it.
A good friend and a bad friend are like a perfume-seller and a blacksmith: The perfume-seller might give you some perfume as a gift, or you might buy some from him, or at least you might smell its fragrance. As for the blacksmith, he might singe your clothes, and at the very least you will breathe in the fumes of the furnace.
Once you become somebody, that don't mean you distance yourself from people. There is no such thing as no one can walk the streets or go outside. That I will never believe. There might be some fanfare. There might be some paparazzi, but you can control that. All you have to do is maintain the person you were before that when you would tell someone to back up or get out of my way or just stop and address people. Give them what they want. Have a smile, kick a few lyrics, and be out.
Falling in love, romance, matters of the heart - when you fall in love, on some biochemical level you know there is a chance it won't work out. It's ingrained in us that if you take such an enormous risk on someone with your heart that it might not pay off. I gamble all my chips and I might actually lose everything.
A heartsong doesn't have to be a song in your heart. It doesn't have to be talking about love and peace. It can just be your message. It can be your feeling. Some people might even call it a conscience, even though that's not really what it is. It's your message, what you feel like you need to do.
My songs are my kids. Some of them stay with me, some others I have to send out, out to the war. It might sound stupid and it might even sound naive, but that's just the way it is.
At best, the relationship between drama critic and playwright is a pretty twiggy affair. When I'm asked whom I write for, after the obligatory, I write only for myself, I realize that I have an imaginary circle of peers - writers and respected or savvy theatre folk, some dramatic writers and some not, some living, some long gone. . . . Often a writer is aware as he works that a certain critic is going to hate this one. . . . You don't let what a critic might say worry you or alter your work; it might even add a spark to the gleeful process of creation.
It's something he used to say when he was happy. It could be a very, very simple day. We might be sitting out on the front lawn. Dad loved classical music and we might be listening to some Stravinsky or something and having some tea and eggs. And he'd say, 'Oh, good stuff, isn't it?'
I think I've always had an activist stance, yet at the same time, the other side of me - and this is where some people just don't get it, or they'd prefer it if the work was a lot uglier, a lot louder - I have this personality where I just want to put something out that's a fact and then let you interpret it. It's almost as if you might barely notice it, you might walk right by it, but you have to pay attention.
Some nights I might wear some crazy stuff. Some nights I might be more regular. I'll wear shoes that no one knows and is a sleeper, but it might be something that I really love.
When you stay in your room and rage or sneer or shrug your shoulders, as I did for many years, the world and its problems are impossibly daunting. But when you go out and put yourself in real relation to real people, or even just real animals, there’s a very real danger that you might end up loving some of them. And who knows what might happen to you then?
When you see Paul Wall, I'm always going to be the same person. I might have on a new grill, I might have on some new jewelry. I might've put on some pounds, I might've lost some pounds. You never know.
If food is labeled, some people might choose to eat stuff that's genetically modified. They might decide they love it. But give us a choice.
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