A Quote by Greg van Eekhout
It's possible I'm a weird person, you know, and if I could only write for people who are like me, I wouldn't have any audience at all. Ultimately, I'm my audience. I'm writing stories for myself. I don't have kids of my own, and I don't hang around kids all that much. Maybe that puts me at a disadvantage.
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I tend not to think about audience when I'm writing. Many people who read 'The Giver' now have their own kids who are reading it. Even from the beginning, the book attracted an audience beyond a child audience.
I tend not to think about audience when I'm writing. Many people who read "The Giver" now have their own kids who are reading it. Even from the beginning, the book attracted an audience beyond a child audience.
When I write songs I write for myself...I'm writing it as a form of expression, and hoping to find an audience, an audience that responds to music that is honest and lyrical and tells stories.
I don't write for an audience. I write for myself. And if I imagine an audience at all, it's the characters, but I know that I would keep writing even if no one ever published me again, even if no one ever read me again.
Now I've devoted my life to making sure that I can be a trailblazer for any other African American kids or any other gay kids or any other kids that just feel weird or uncomfortable and have their own issues and don't know how to express themselves. I want to be like a beacon for those kids now.
People who write for reward by way of recognition or monetary gain don't know what they're doing. They're in the category of those who write; they are not writers. Writing is simply something you must do. It's rather like virtue in that it is its own reward. Writing is selfish and contradictory in its terms. First of all, you're writing for an audience of one, you must please the one person you're writing for. Yourself.
I know there are people who don't like their audience or like the experience of being recognized or celebrated, but my audience has been very good - they don't bother me and when they do contact me it's usually on the nicest possible terms.
I like to service the full audience of America, so I try to do things that are just real artistic, like when they don't have the most money, but it's a great piece of work. Then, there are big, fun comedies and big animated movies for kids. I want to do things for my nieces and nephews. Ultimately, we're trying to deliver something entertaining to an audience. As long as it can entertain the audience, and it makes me or my niece and nephew laugh or cry, then I think it's good.
I don't really write for adults or kids - I don't write for kids, I write about them. I think you need to do that; otherwise, you end up preaching down. You need to listen not so much to the audience but to the story itself.
In college, I didn't know whether to hang out with the black kids or the white kids, and then I found the theatre kids, and I was like, 'Oh, it doesn't matter.' We were all weird and listening to Morrissey and wearing Doc Martens so that was my tribe.
Does having a wife and kids change your act? Yes, but only in the best way. It gives you weight and authority. It also makes you closer to the audience because the audience is married and has kids.
We write stories that we like and hope the kids like them, too. But we definitely make sure that they skew toward a kid audience.
Kids audience is a brilliant audience. If you've got an audience of adults standing up and clapping, or you've got an audience of kids standing up and clapping, I know which one I'd choose.
After I perform 'My Girlfriend's Boyfriend,' it takes a lot out of me emotionally; and, at the end of it, I feel like I know the audience and the audience knows me. It's this weird unspoken bond that we'll kind of always have with each other.
I didn't like what was on TV in terms of sitcoms?it had nothing to do with the color of them?I just didn't like any of them. I saw little kids, let's say 6 or 7 years old, white kids, black kids. And the way they were addressing the father or the mother, the writers had turned things around, so the little children were smarter than the parent or the caregiver. They were just not funny to me. I felt that it was manipulative and the audience was looking at something that had no responsibility to the family.
My goal's always to connect and relate to my audience. I want them to leave my show feeling like they got to know me better - not only that, but like we could be friends. I want people to leave going, 'Oh my gosh, I could totally hang out with her!'
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