A Quote by Greg Kinnear
Regardless of the weight of the role, I feel like the job is always kind of the same. Who is this person? What's this guy here, what's he trying to say? And what's the volley with all these other people around him? So I don't feel like that part of it changes. I have not reached the point - if there's a point you reach as an actor where it's, "Oh, I got this figured out, I know how to do this". But I am happy to say that the primary building blocks of where you start, at least, there is a little bit of sameness to that. And that's always nice.
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Same job, whether it's comedy or drama. Regardless of the weight of the role, I feel like the job is always kind of the same. Who is this person? What's this guy here, and how is he playing with this thing, and what's he trying to say? And what's the volley with all these other people around him?
I always say, thank god I have this job or I don't know what I'd be doing. It'd be sad. I've always felt like I have been trying to brand a world for a quite a long time. You know what though, I feel no different. I feel like I'm doing the exact same thing I did in high school. Only I have more people helping me out now. And we have to take it all the way.
[On how she goes about trying to live authentically] Well really listening to my point of view and if I am on a set, say, that doesn't really value a woman's point of view, regardless of how they feel, continuing to give my point of view and try to find a way to be heard and not diminishing myself because other people are diminishing me. Because that, I think, is the worst temptation that, you know, you judge yourself by how others are judging you, and to fall into that trap is to walk into the realm of self-annihilation.
You just start going through that process of trying to put together a cast that works. I don't know that I can explain it in a way that you can go, 'Oh.' It's a little bit like saying, 'How would he be with him? How does that feel?'
The lake was always my orienting point when my dad was teaching me how to not get lost. The lake is east, so you'll always know that. It's a weird thing where you can kind of feel where you're at in Chicago, and when I was downtown, I was like, 'Oh, it feels more open over here. That must be east.' It felt like a little secret thing.
When I started out as an actor, I thought, Here's what I have to say; how shall I say it? I began to understand that what I do in the scene is not as important as what happens between me and the other person. And listening is what lets it happen. It's almost always the other person who causes you to say what you say next. You don't have to figure out how you'll say it. You have to listen so simply, so innocently, that the other person brings about a change in you that makes you say it and informs the way you say it.
I always tell people that, if you feel like you're portraying a character really well, you're not acting. If you can reach that point where you don't feel like you're acting, than you're doing your job and the audience will believe you.
I don't even know what a traditional producer is or does. I feel like the job is like being a coach, building good work habits and building trust. You want to get to a point where you can say anything and talk about anything. There needs to be a real connection.
When I played in Holland, I always tried to lob the goalkeeper. People used to say, 'Oh, you're always only trying to make a nice goal'. But I said, 'Listen, if the goalie is a little bit off his line, how much space do you have on his left or right?' It's not a lot. 'And how much space do you have above him?
When I played in Holland, I always tried to lob the goalkeeper. People used to say, 'Oh, you're always only trying to make a nice goal'. But I said, 'Listen, if the goalie is a little bit off his line, how much space do you have on his left or right?' It's not a lot. 'And how much space do you have above him?'
I always wanted to kind of make the listener feel like it was them that I was talking about, or to the point that I could say the rhyme, and feel like it's them saying it.
I feel it's important to point out that I've earned my humility by being a jackass - like, I trip and fall on my face and say, "Oh, right. Don't think you're a big shot, because you've got a bloody nose now." So it's hard to say.
I think directors can be a little insensitive to how vulnerable an actor is, when he's giving a performance. Part of the job of an actor is to invite scrutiny, but with that, the people around them have to nurture that and put them in an environment where they feel safe and they feel like they can risk something.
People in the business always say, "You look fabulous." You get that all the time and it kind of goes in one ear and out the other because most of the time they just say that to make you feel good. It's nice when you hear it from an ordinary person and then I appreciate it.
As much as my primary vocation is that of an actor, if anything, I feel like I am more excited about filmmaking in general, so it's not always a specific role that I'm attracted to, but rather an entire piece that I want to be a part of.
Wow, I think you grow all the time when you're working. You start the job and by the end of it, if it's a long one, you kind of say, 'My God, I was so different at the start of this job.' I always feel like I've changed for the better with each one.
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