A Quote by Greg Kurstin
I really love headlining. Opening up is fun - getting to play for all these people who might not know you - but it's so much easier sometimes playing for people who know all your songs: you get that instant feedback.
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I write songs for myself, songs come out of me, I get enjoyment out of it. Basically, that's it - I get enjoyment out of my songs, I know they're good songs, and know that the people around me who I respect are all getting up on these tunes, and the feedback is really good, so that's it. There are people who will receive them, and don't receive them. Not in a spiritual sense, but in a commercial sense - do these songs treat people, and so far they're working.
One of the many reasons why I love stand-up so much is when you're performing, you get instant feedback. You know if stuff is working right away.
I just love to play rock and roll. I love to write songs all the time
about what's up on these streets. I write songs about people getting killed; I write songs about people getting beaten up; I write songsabout people getting taken to jail by the police; and I also write songs about love and happiness.
I think a lot of my fans are anxious for more than just my singles. They know I'm a dreamer. They know I'm someone who is real spiritual. I love to have fun, and I always have fun songs - songs you can party to. But I also always have songs you can live to, that when you're depressed, it may lift your spirits up.
I don't love playing new songs in a festival environment. Because when it comes to a festival a lot of people probably won't know your band really well at all so playing more familiar songs is a little more conducive in having a better show.
I'm much more concerned about what artists think. But as you get older you tend to get much more isolated; you're not out in the bar, having long drunken arguments on the benefits of your work vs. someone else's. It's hard to know how people are looking at it, and you don't get much feedback. The written critical stuff seems to be the feedback, but that's hard to interpret.
I fire people that win gold medals, great champions, everything else, and, you know, it's not - it's not easy. People say oh well it comes easy for me, it doesn't. And it's never fun. It's all to easier though when I don't like somebody or when they're really, really bad then it becomes much easier.
I kind of love opening, because it's easier and kind of just more fun to get up and play fast and furious and have a good time.
I know a lot of bands that will make their first record and get to a certain level, and then when the second record comes out, they can start where they left off as a headlining act playing in front of a certain number of people, or they can go back out and make a lot less money and open for people. I feel like if you go out and just go right back into that headlining stuff, you're playing to the converted.
Every city is different for playing, actually. That's one of the hardest things: to play abroad. Because sometimes you know your city and your audience and you know what to play and what people will dance to. And later, you go to a place and you think this thing will work and you start playing and it doesn't work, and you have to be able to go to another side just to try to find what people like or whatever, or, like, try to make people dance as they are more used to. I don't know, it's quite strange - people dance in different parts of Europe in a different way.
Playing live is much more natural for me. The instant reaction and the feedback from the audience is great for me. I really relish it. And if you play blues-based music, it's not really academic music or recital music. It really needs a bit of atmosphere and a bit of interplay and a bit of roughness, and you really get that with an audience.
I'm in a difficult position in the sense that, preposterous as this might sound, I don't like being the centre of attention. I get up on stage every night and play songs, but I almost feel the songs are the centre of attention. I don't like opening my birthday presents in front of people, either.
People who get implants, it's so depressing, you know... People - I don't know. The route of that, you know, maybe they want more love or attention, or what it is, but they always go for the most obvious place, you know? Here... Well if you really want more attention, why not get them in your eyes? And then move your eyes down to where your nipples used to be, put your breasts up on your head, everybody will pay attention!
'Back To Love' is a way of letting people know that sometimes you get caught up in trying to be successful in school or in your social life, and it's a reminder not to forget that each day people are getting older. Nobody is promised tomorrow, so we should make sure that we spend quality time with quality people.
I think the more that I can find myself getting out of the way - like you said yourself - trying to get out of thinking too much, and sometimes something truly special can happen. That's the beautiful mystery of song writing - that you really don't know where these songs come from exactly, and you don't know how you came up with them - and god bless it that you should have the gift of channeling that.
I feel really comfortable playing to people who've never heard Beach House before. We've always had fun opening because you get to try to impress people.
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