A Quote by Greg Oden

I wanted to be a dentist when I was younger. But then I started to get big and realized that my hands were so big, I'd kind of scare the little kids away. — © Greg Oden
I wanted to be a dentist when I was younger. But then I started to get big and realized that my hands were so big, I'd kind of scare the little kids away.
We always wanted to have this big show. So we just kind of started doing little things, like building our own little props, and starting to put on a show. And we just started seeing the response, and it felt amazing to us, and then I fell in love with it.
When I was younger I wanted to be a big movie star who'd get to be funny on talk shows and then I wanted to retire and write science fiction.
When my YouTube videos started to get really big, I was like, 'Man, this is pretty sweet.' It started as my hobby, and then I started traveling and learning how to play different instruments, and then it just kind of became my life.
Younger audiences are into me because I did 'Stuart Little,' and that movie was a very big deal for kids. And in 'Angels in the Outfield,' a generation of kids learned about magic and angels. And then, of course, there are these two blond girls named Mary-Kate and Ashley Olsen, and I played their nanny on their TV show.
When I was young, I had a big problem with warts. It started with one on the side of my little finger. A year later, I had it on all my fingers. My hands looked like the hands of an alligator. So I fist bumped people instead of shaking hands for a few years.
Devo and The Cramps didn't get big until they went to New York City. Chrissie Hynde didn't get big until she moved to London. When I was growing up, there wasn't even a place to play - just one little bar. If we wanted to have a gig, then we had to drive 45 minutes up to Cleveland.
I remember the kind of teenager I was, the kind of teenager I wanted to be, and then the kind of teenagers that were all around me. Life is lived on such a big scale in those years - and such an embarrassing one as well.
My dad is the reason I actually started watching wrestling. My dad was never big into sports; we were all big into sports as kids, and he'd go to our Little League games or whatever and not really know what was going on, because he didn't know about sports, but he knew about wrestling.
What the press hasn't realized is that I'm just a big kid showing off, and you've got to treat me like that. You know, you don't make big kids accountable.
I had a nice part at big newspapers, small newspapers, and then I went to a very big newspaper - 'The Wall Street Journal.' I wrote longer pieces, and I got tired of working so hard on stories that had a shelf life of essentially one day. So then I started working on longer magazine pieces and realized then that you might as well be writing a book.
I was supposed to do only one or two episodes of 'Big Little Lies,' but I realized I couldn't just step away.
When playing big festivals, I tend to play big, over the top techno tracks, like hands in the air songs that make sense being played in front of 30,000 people. I steer away from subtlety in the interests of big bombastic dance music.
We have to figure out ways to scare and entice our leaders more effectively than the fossil fuel industry has managed to scare and entice them. They've got the big checkbooks. We've got to have the big crowd.
We lived near a supermarket, and whatever they threw away, we would get it, and my mother would make soup. Or she would get a big can of lard, a big can of meal, a big can of flour, a big can of beans, and fix the same meal for months.
It's a big deal when you finally get the chance to do the one thing you want to do - need to do - more than anything. It can kind of scare the crap out of you.
I've always wanted a big old house with a big yard and lots of kids.
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