A Quote by Greg Fitzsimmons
There's so many ways to do stand up, and I think, for awhile, people weren't really maximizing the freedom of it. We were all kind of doing a similar kind of stand up, and I started to see some original voices come out of Boston.
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There's so many ways to do stand up, and I think for awhile, people weren't really maximizing the freedom of it.
No, I never really set out to be a stand up. I wanted to be a writer of some sort. I thought I'd do a bit of stand up and hopefully that will lead to stuff and little did I know it kind of snowballed. Before I knew it I was doing stand up 300 nights a year.
There were not that many people who were willing to come out and stand up for Muslims or stand up against the abuses of the Bush administration. That was post-9/11, so I think there was a lot of fear at the time about exactly what that meant - were they unpatriotic if they stood up?
I've seen many female comics that a lot of people haven't heard of who are so funny, and I saw them come up, and they were working so hard, and then all of a sudden they had a baby, and they just got tied up in motherhood, and eventually, they kind of just stopped doing stand-up, and I thought it was such a shame.
I do agree that in particular, Turkey and the Gulf nations have got to make up their minds. Are they going to stand with us against this kind of jihadi radicalism or not? And there are many ways of doing it. They can provide forces. They can provide resources. But they need to be absolutely clear about where they stand.
I don't think stand-up is being appreciated as much as it could be and I don't think it has for a long time. There's some great stand-up comics who come to a town and if they're not a name, they don't attract a crowd but in reality there are brilliant people out there.
I started doing my own animated movies when I was in ninth grade; that's when I got the filmmaking bug. When I was about 16, I started writing jokes for doing stand up, and then I was 19 and started doing stand up.
But with 'Newsrevue' I started doing some characters, and I just loved how you were in control. You could write something that day and go and do it that night, rather than waiting for a job that involves other people. So I did character stand-up, and then proper stand-up, and I loved it; I got addicted.
I think in many ways, I'm sort of a blank canvas, because in many ways, I'm just observing the world and the people around me and their characters and letting them kind of explode off me and to find out why they're doing what they're doing. But then every once in awhile, I get to take on a whole new character.
Looking back, I remember my family laughing a lot. We were never the kind of people that dwelled on hard times. My family laughs when things are tough. Growing up like that, I got used to making jokes about things that were difficult. So when I started doing stand-up, that's what I went towards.
I did try and do some spooky stand up once, and some of my stand-up had - I tried to do some horror stand-up, but it didn't really work very well.
It's interesting to me that the Arab Spring started in Tunisia, and in the marches, people were singing 'Get up, stand up, stand up for your rights.'
I knew I wanted to be in comedy but the path of least resistance was doing stand-up in folk music clubs where I could get on stage. I guess you could get up no matter how bad you were and you didn't have to audition. You just got up. Everything else required an audition and if you auditioned for a TV show, you would stand in line with a hundred other people. But at the clubs, it was okay just to get up, so that's why I started in stand-up.
I'm just looking forward to doing these videos with AXE. Doing more directing, collaborating with them, finding ways to kind of like tap into temptation with their market and their audience and mine and find cool, creative ways to get the brand out to people. And I think they're doing a really, really good job. So we've got some cool stuff coming up.
I think with a comedian, when you get to the point of a greatest hits, it's kind of an acknowledgment that you've been doing stand-up a long time, which not very many people do.
I quit law school in 1990 and started doing stand up in Boston.
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