A Quote by Gregg Wallace
We don't like to say it, but TV is a hugely image-conscious industry. I know it might sometimes look like I don't do anything, but I work very hard, and part of that is looking as well as you can. It's an advert about who you are, what sort of person you are.
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I am very benign-looking. I'm somewhat like a golden retriever: It's not hard to look at me. I'm perfectly fine. It's not like things jut out and make you nervous. But the lovely thing about being so pale and having such pasty features is that I can look like pretty much anything, which is nice.
It's hard to know what to say about somebody like that, except there are people who look for trouble. And trouble is very easy to find when you go looking for it.
I guess if there's one thing that might surprise people about me, it's that I'm very obedient. I'm kind of like a dog. I look at acting as kind of a service industry. You're there to serve the writer and the director. I don't really look at it as an act of self-expression, like I'm going to say what's on my mind.
It's very hard to look in the mirror. We all know this. It's much easier to have illusions about yourself. And in particular, when you think, well, I'm going to believe what I like, but I'll say what the powerful want, you do that over time, and you believe what you say.
That's sort of like asking a parent who their favorite child is. It's very hard to determine. Sometimes I'll get feedback from somebody who liked this part of the show. Others like another part of the show.
I do have a very conscious desire not to be academic. I'm antiacademic. I hate jargon. I hate that sort of pretension. I am a person who [commits] breaches of decorum - not in private life, but in my work. They are part of my mode of operation. That kind of playfulness is part of my nature in general. The paradox that, in a way, to take something very seriously, you can't always be serious about it.
Sometimes it's difficult because you like some regularity in your life, but never knowing who's gonna pop up at what show, what person you might see that you don't expect to see in that city, what problem you're gonna have that night, even the problems at some of these venues, if you look at them the right way, it's an adventure. You're like a cowboy. That's the best part about being in the music industry. You get your gun and you ride your horse.
The day that I saw Whoopi Goldberg on television, I cried so hard because I kept looking at my daddy going, 'Oh my God. There's somebody on TV that looks like me! She looks like me! Yay! I can be on TV! I can be on TV! I can do it! Look at her - look at her! She looks just like me.'
It [the scene] can be something given to you and you go, "Ah this is a good idea, I can work with this." Sometimes it cuts right across your instinct and that's when I might resist. Even if the director might be insistent, I think it's very important to say, "Look, I'm not feeling this. I'll try to make it work but I got to let you know."
I like creating these moments where there's this dichotomy between something that repels you but is still so attractive that you can't stop looking. You still want to acquire it; there's still that level of aspiration for the image of the figure or the person you're looking at. when you look at the work there's this, "Oh it's really beautifully rendered!" or, "I love those beautiful tones." There's some aspect that's really attractive but the image itself could be slightly distributing.
When you organize your work and look back at your entire production, it may feel like you're looking at a straight line, but in fact it's nothing like that. The work is very experimental and most of the time it develops like branches. I usually see a capillary, like a tree shape where there are... branches that sort of move because you're not tending to them.
I know what it feels like to carry a lot of weight in a society that's very image-conscious. It's a thin person's world, and we try to navigate within it without being made fun of.
It is my drawback that I am not manipulative and this trait doesn't work in the industry. People in the industry are very manipulative. For me, I will say it if I don't like, and I don't know how to butter people. Even Salman Khan is like that, he is very straightforward and not manipulative at all.
So you know, when you think about all of the things that you put online - so whether it's, you know, your - what TV shows you like or, you know, what movies you watch or what you listen to, these are all little discrete clues about sort of who you are as a person.
I don't really diet or anything. I'm miserable when I'm dieting and I like the way I look. I'm really sick of all these actresses looking like birds I'd rather look a little chubby on camera and look like a person in real life, than look great on screen and look like a scarecrow in real life.
I basically look like a lot of modern Orthodox people you know, but I work on a TV show where I sometimes have to kiss Jim Parsons. That's why I don't take on the title of modern Orthodox, but in terms of ideology and theology I pretty much sound like a liberal modern Orthodox person.
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