A Quote by Gregory Crewdson

Since a photograph is frozen and mute, since there is no before and after, I don't want there to be a conscious awareness of any kind of literal narrative. And that's why I really try not to pump up motivation or plot or anything like that.
Any kind of dance or house, remix type music, I really love that. That will really pump me up. I really love anything Beyonce - honestly, that would pump me up.
I didn't grow up on dance class. I was always natural. I've been in the industry since I was eight and I've always had a choreographer since then. But I never really took ballet or anything like that.
I used to go out wearing any old rubbish, no make-up, nothing, but since mobile phones, that has all had to stop. People do come up to you so often and say hello, or want a photograph, and I just can't do it anymore in what I used to wear. They don't want to be seen hanging off a rabid old granny any more than I do.
As you move to the top, remember the story of the pump. If you start pumping casually or half -heartedly, you will pump forever before anything happens. Pump hard to begin with and keep it up until you get that water flowing. Then a great deal will happen.
I obviously read and adore traditional fiction. I teach traditional fiction, I also teach all kind of not-so-traditional fiction. And since I'm such a plot buff, and I'm really such a narrative buff, I can't seem to relinquish my - not just reliance - but excitement about those traditional techniques.
[When] I am taking a photograph, I am conscious that I am constructing images rather than taking snapshots. Since I do not take rapid photographs it is in this respect like a painting which takes a long time where you are very aware of what you are doing in the process. Exposure is only the final act of making the image as a photograph.
In transmitting the dharma, there is neither explanation nor teaching; there is neighter hearing nor attainment. Since explanations never really explains, nor are they able to teach, why talk about it? Since listening isn't really hearing or attaining anything, then why listen? But say, since it cannot be explained or heard, how can you enter the Way? But down the bagagge, take of the blinders, and see for yourself that this very place is the valley of the endless spring, this very body is the body of the universe. At such a time, who is it who can accompany this?
I don't know why I feel the need to try and do everything. But I kind of have this mentality that you live once, and I have a lot of things that I want to do and there's a lot of things that I want to try. So I have to at least give it a shot before I don't try at all or like, give up on things.
I don't really have any kind of rigorous or definite routine before I go onstage. I like to eat at least an hour or two before I go on. If I can't do that, I just wait until after. I try and drink lots of water before I go onstage.
I really don't want to make the same film twice, so I am conscious of going after material that is significantly different to anything I've done before.
I never really liked kids before, and kind of hated them. I just didn't like them. I don't know why. All that has changed ever since my daughter was born, and I have started loving kids now.
You are awareness. Awareness is another name for you. Since you are awareness there is no need to attain or cultivate it. All that you have to do is to give up being aware of other things, that is of the not-Self. If one gives up being aware of them then pure awareness alone remains, and that is the Self.
When I paint from a photograph, conscious thinking is eliminated. I don't know what I am doing. My work is far closer to the Informel than to any kind of 'realism'. The photograph has an abstraction of its own, which is not easy to see through.
Me and my wife have been on the same kind of routine since we got married, man. Just praying together in the morning, praying at night together. And I think having her, that support right there! I always try to make sure my kids grow up in the right home, I set the right example for them. Because I didn't always have my father there for me and my sister didn't have that either. So I just want to make sure they grow up different. They grow up seeing how marriage is supposed to be and I think that's what really gives me motivation.
Not many people understand what a pump is. It must be experienced to be understood. It is the greatest feeling that I get. I search for this pump because it means that that my muscles will grow when I get it. I get a pump when the blood is running into my muscles. They become really tight with blood. Like the skin is going to explode any minute. It's like someone putting air in my muscles. It blows up. It feels fantastic.
Motivation is the key. More than training, more than experience or age, motivation counts. You have to ask yourself: 'Why am I racing?' I race because I like it, because I'm really enjoying it. I like to set up my bike and ride it on track. After 20 years in the GPs I'm still highly motivated. Everything else is a consequence.
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