A Quote by Gregory Maguire

I like classical music of the late 19th and early 20th centuries, and I adore Bach above all. — © Gregory Maguire
I like classical music of the late 19th and early 20th centuries, and I adore Bach above all.
The Ocaina and many of the other indigenous peoples of the Amazon were nearly wiped out during the rubber boom in the late 19th and early 20th centuries. Outsiders came into the jungle, enslaved the tribes to harvest the rubber and killed those that resisted.
By comparison, 'The Secret Agent' is not especially prescient about terrorism, certainly not technically. The Professor was a stock figure of Edwardian fiction, and his dreams of mass destruction were nothing ahead of their time. Many novels in the late 19th and early 20th centuries involved plots far more deadly.
I grew up listening to my parents' albums. Many of them were either classical - Bach, Beethoven and Brahms - or easy listening, like Mantovani. I loved the spectrum of emotions in classical music, from fortissimo to pianissimo. My early passion for classical made my drumming more musical later on.
You don't see the European classical musicians allowing the music of Bach, Brahms, or Beethoven to become extinct. That music has gone on for centuries and centuries. We have the same obligation. Why do we have to become so 'hip' that we can say, 'Bebop is square,' or "New Orleans is square'? This, to me, is a shame.
From the late 19th to the early 20th century, the December issue of almost any general-interest magazine regularly featured a holiday horror or two.
My father was able to play a number of musical instruments and I fell in love with classical music in my teens and I allowed it to influence me. I like to think I took and still do from classical music and various techniques, I have made classical albums and recorded seven different pieces of Bach on different albums and its all music too me.
For me personally, Elliott Carter was and remains one of the most meaningful composers of the late 20th and early 21st centuries because he represents substance. He was the living proof of uncompromising, complex music, which at first seems inaccessible. But it becomes accessible if one digs in and sees the development through.
Anthropologists believe women were among the skilled boxers of the ancient, sport-loving Minoan culture that flourished on Crete until 1100 B.C. The boxing booths at English fairs featured women in the 19th and early 20th centuries.
Haemophilia itself is bad enough. It is disabling day by day, even if far less incapacitating than in the 19th and early 20th centuries. But the added burden of life-threatening further illnesses from contaminated NHS blood is far worse.
My autobiography is a digressive illustration and exemplification of what race has meant in the world in the 19th and 20th centuries.
I love all types of music - jazz, great pop music, world music and folk music - but the music I listen to most is piano music from the 18th, 19th and 20th century. Russian music in particular.
I don't believe, in the 21st century, in the balance of power system. This is a European idea of the 19th and 20th centuries.
When we improvise freely - that is, without a structure - it tends to sound more like 20th century classical music, more like a classical ensemble improvising, as opposed to a free-jazz group, where you're more used to hearing saxophones honking.
Often, I could not find the range of emotions in classical music which I found in the The Rolling Stones and Hendrix. Listening to Bach, I found a deep spirituality and felt elevated above the human level. Yet the feeling and emotions attached to popular music speak to us far more personally, and I couldn't leave that behind.
My particular pain is that the world of Jewishness that I identify with - the extremely assimilated, educated European and Russian Jews in the 19th and 20th centuries - is lost, and is not mourned enough.
In the early 19th to the early 20th century, people had a lot of things wrong with them. Doctors didn't know how to fix them, and so they lived with them.
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