A Quote by Gregory Porter
My part of Brooklyn has always been a very warm neighbourhood, even before I had anything going on in the music industry. When I step out of my house to go for coffee on Saturday mornings, I might say hi to 20 people before I get to the cafe. I think they feel they own me, in a way.
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On Saturday mornings I would walk to the Flavor Cup or Puerto Rico Importing coffee store to get my coffee. Often it was freshly roasted and the beans were still warm. Coffee was my nectar and my ambrosia: I was very careful about it. I decanted my beans into glass...and I ground them in little batches in my grinder.
The media had me convicted of doing something wrong before I had even done anything at all, before I had talked to anyone, before I get out of bed. I'm always the bad person.
I grew up in Little Rock, Arkansas, and before the Internet and before everything, just to get anything interesting, you had to go on vacation to San Francisco or something. But I think when you're in the middle of America, you feel very jealous of not just comedy but music that you don't have access to.
Sometimes I go to a test screening and look at the audience in line, and I start to go, "Okay, I bet this is going to work, and this isn't going to work." It's weird, but just going and facing the music and putting it out before a crowd, even before it starts playing, that exercise of putting it up on a screen for people makes you realize things even before it starts rolling. It's really weird. I've heard other people say that, too.
When some people get parts, they feel they can now relax, but for me it was always the opposite. Sometimes before I do a movie or before I act out a scene, I may not sleep well the night before. If I don't know what the scene is about, I might get all worked up.
I feel bad for people who (don't have) faith because they don't have that blanket of comfort...If I'm going out on stage, I always say a prayer right before I go out. Whatever it is. Before I take off on a plane. There's just always this connection...God knows. I know. That's all I need.
I want to be a part of bringing more visibility to the Christian music genre and give it some platforms that it may not have had before. I feel like, as blessed as we've been with Rascal Flatts, I might be able, through some of my own connections and avenues, to give them some visibility in arenas they've never had before.
I used to think, "I can't go to these meetings because they'll make me believe in God. Make me go to church." I knew it wasn't right for me before I ever tried it. I was suspicious of anything outside my realm of experience. That same kind of attitude carries over into 12-step programs, because they are programs. There's this feeling that you don't need this bullshit, you can quit on your own. People that don't know anything about it seem to have a better idea. They haven't even been.
Minneapolis, in general, has been there with me since the beginning. They made me feel important before I really even had a foundation. I think a lot of it has to do with it's such an intense music city in its own right.
I do feel like I owe something, but not to the industry. When you say "industry," I think of a group of people who don't really care much about you and treat you as a commodity. So, in that regard, I don't feel like I owe anything. But the people who've always been supportive of me and have always seen me for my greatest potential-those are the people who I feel like I owe something to. I feel like I am their voice. I owe it them to represent them in a way that they can be proud of.
Even Colin Powell who was everywhere before he became secretary of state, just stopped going out. I think part of it was he didn't want to be viewed suspiciously by the other people in the White House who rarely go anywhere.
I had never created my own business before. I had always been the gun to hire... But I had to finally say, nobody is going to give me my dream job, so I better figure it out myself.
There was always music in my house when I was a kid. On Saturday mornings, my mother would clean house to 45s blaring out the songs of Neil Diamond, The Doors, Pink Floyd, Cat Stevens, Harry Chapin.
A lot of people will say different stuff like, 'You can't do it.' They'll say no before I even say anything. You just have to believe in yourself, and there's a reason they might say no, because they probably haven't seen it before.
A lot of my friends, when I was 14 or 15, they were all up and down, wanting to go out on a Friday night, and my dad had me working really late on Fridays and Saturday mornings and even on Sunday mornings. And when I'd finished all that, we used to spend the rest of the time talking about boxing.
I get invited to do panels with other Brooklyn writers to discuss what it's like to be a writer in Brooklyn. I expect it's like writing in Manhattan, but there aren't as many tourists walking very slowly in front of you when you step out for coffee.
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