A Quote by Greig Fraser
I remember borrowing my mum's Instamatic 110 camera as a kid and doing still lifes of tennis balls and benches and thinking they were going to be something really amazing. They ended up being really bad.
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As a young actor, people were trying to define who I was before I really knew that for myself. But I still remember thinking, "This is what I love doing, and I hope I'm going to be able to do it forever."
As a young actor, people were trying to define who I was before I really knew that for myself. But I still remember thinking, 'This is what I love doing, and I hope I'm going to be able to do it forever.'
I really like the smell of the tennis balls, the new ones. I don't need to do it, but it's just my habit, what I do on the court when we change for the new tennis balls. I just smell them. Maybe it's for luck. I've been doing it all my life.
My mum was the most wonderful cook and our house was always full of delicious food and interesting people. I remember dad entertaining the likes of Des O'Connor and Bruce Forsyth. But what really shaped my childhood were the amazing Jamaican dishes that mum produced so effortlessly.
For a few years, we lived with our grandmother in Kingston, and I remember watching the other kids with their mums and just feeling really jealous. I didn't fully understand what my mum was doing for us. I just knew that she was gone. My grandma was amazing, but everybody wants their mum at that age.
I remember somebody saying, "I feel really bad for kids growing up around iPads right now. It's just too complicated. Life's too complicated." I think, yeah, but I remember being a kid and holding up a new piece of technology that was made in the '80s and my grandparents going, "Oh, it's too complicated." It didn't seem complicated to me.
I remember kind of doing early acting and thinking, "God, they don't paint behind the sets." It's a bit of a shame, really - "Oh, what's on the other side of this wall? Oh, you can see the plywood." I was really disappointed. I just thought that these things were real, from watching things as a kid.
I remember kind of doing early acting and thinking, 'God, they don't paint behind the sets.' It's a bit of a shame, really - 'Oh, what's on the other side of this wall? Oh, you can see the plywood.' I was really disappointed. I just thought that these things were real, from watching things as a kid.
I remember making 'Mr. Show,' thinking, 'Man this stuff is really funny to me.' I don't know if anyone else will love it, but I know I'm going to still watch it in 15 years if I'm still alive and laugh really hard. Even though we had very high standards, we were trying to excite and please ourselves.
The whole thing was set up very cleverly. The people who were torn from their normal lives and put on the trains may have heard that terrible things were happening in Auschwitz, but even up to the end, they kept on thinking: Perhaps it isn't so bad after all. And then they arrived and the SS told them: "The old people and the sick can take the truck. Anyone who is still young can walk." It took us a while to realize that the ones who were being driven were really being taken to the gas chambers.
I really tried out for the part of Harry Potter, but they ended up picking me for the part of the enemy of Harry. Actually it is really fun playing the bad kid because it just has so many interesting qualities to it. And Daniel Radcliffe and I get along really well off set so it's really fun filming.
I remember, in my senior year, one of my teachers taking me aside and saying: 'You look really tired.' This was when I was being a bad kid and she knew that something was wrong.
It's hard work. It's really hard work, but it's really interesting. We have this camera, I think it's called a SimulCam, and when you play it back, you can see the giant in the scene you just shot. It's incredible. You're reacting to a tennis ball that's way up there, then when you watch it, it's this huge giant's face on it. Wow. That's cool. I just can't wait to see it when it's all edited together and the special effects are all crystal clear. It's going to be, hopefully, amazing.
Sometimes things need to get really bad before they can ever get better. Really bad can become untenable if enough people get sick of it. That was a big thing about why I ended up taking part in that rally [against police brutality] and ended up voicing my opinion and declaring what side I was standing on.
I was surrounded by a bunch of friends who made music, and at the time, I thought they were good. They used to tell me I was really bad, but it ended being up the opposite.
I had an instamatic wind-on camera and remember buying the flashcubes and fixing on top of the frame. The flash credits were limited so you had to be careful not to waste any.
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