A Quote by Grace Kelly
I hated Hollywood. It’s a town without pity. Only success counts. I know of no other place in the world where so many people suffer from nervous breakdowns, where there are so many alcoholics, neurotics and so much unhappiness.
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If we know one thing from the transgender people who are currently serving - I'm in contact with one group that counts almost 200 people in uniform today who identify as transgender - it is a process that they have - that many of them have begun, that many of them would very much like to complete, if they could do so without putting their years at risk.
I used to throw up before I went on stage, every time. Even though it's only 200 people in the audience, and a movie like RoboCop is going to be seen by many, many people, I know I'd be much more nervous doing a play than being on set shooting.
Among its many other obligations, fiction always has to be believable. Life does not have to suffer such constraint, and much of what takes place is believable only because it happens.
There are two kinds of pity. One, the weak and sentimental kind, which is really no more than the heart's impatience to be rid as quickly as possible of the painful emotion aroused by the sight of another's unhappiness, that pity which is not compassion, but only an instinctive desire to fortify one's own soul agains the sufferings of another; and the other, the only one at counts, the unsentimental but creative kind, which knows what it is about and is determined to hold out, in patience and forbearance, to the very limit of its strength and even beyond.
The Alexander Technique will benefit anyone whether they are an elite athlete or whether they just wish to live life without the aches and pains that many people suffer and accept as part of life. It is a pity that these techniques are not shown to us all at an early age for I have no doubt that this would alleviate many of the causes of ill health in our communities.
There are many more attempts to define happiness than unhappiness. It is because people know all too well what unhappiness is.
The last thing I want to turn into is a fat Hollywood jerk. I was brought up without much money and I was happy. I don’t think that I will strive for money or success and end up greedy or big-headed. That only leads to unhappiness. I can still be down-to-earth and do this job as long as I enjoy it.
The times talk to us of so much poverty in the world and this is a scandal. Poverty in the world is a scandal. In a world where there is so much wealth, so many resources to feed everyone, it is unfathomable that there are so many hungry children, that there are so many children without an education, so many poor persons. Poverty today is a cry.
Hollywood is a deeply odd place. There are so many factors that have to go perfectly, so many schedules and visions that have to snap together for a film even to be made, much less be good.
For so many people, it's very hard to feel okay with success, because success is not cool. It supposedly tarnishes your thing; it ruins little pockets of scenes and the self-importance that comes from thinking you're the only people in your town that are doing something.
Hollywood is the kind of town that likes to make everything larger than life: movie premieres, aging actress' lips, and murders. Actors come from all over the world to find their sliver of fame on the street of L.A. Many stars rise, but many more fall.
Not many child stars make it out of Hollywood alive or sane, and at any given time there are at least three former ones having very public breakdowns.
College athletics are so entrenched and enjoyed by so many people that they will never be discontinued or substantially changed. I know that. I just pity the people caught in that tender trap. And most of all, I pity those kids.
I'm a Hollywood kid, and I know that there are only so many stories. Only so many tales around the campfire that we have to tell. Then we have to regurgitate them. Our grandparents' movies were all remakes of silent films - we forget that, but it's true.
All I know about 1970s New York City is that it's where I grew up, and you always have an umbilical connection to the time and place of your growing up. It was cheap, didn't have too many people in it, you could go to the movies or whatever on the spur of the moment, you could get by without working too much and especially without involving yourself in the corporate world.
Many hated 'Selma.' Just because my voice and the voice of the people I come from is antithetical to so much of what Hollywood produces. I don't think what I'm saying is in particular radical or anything; it's just different from what they want to sell.
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