A Quote by Graham Greene

How often the priest had heard the same confession--Man was so limited: he hadn't even the ingenuity to invent a new vice: the animals knew as much. It was for this world that Christ had died: the more evil you saw and heard about you, the greater the glory lay around the death; it was too easy to die for what was good or beautiful, for home or children or civilization--it needed a God to die for the half-hearted and the corrupt.
When I heard your organization was recording testimonies, I knew I had to come. She died in my arms, saying 'I don't want to die.' That is what death is like. It doesn't matter what uniforms the soldiers are wearing. It doesn't matter how good the weapons are. I thought if everyone could see what I saw, we would never have war anymore.
Christ did not die for the good and beautiful. It is easy enough to die for the good and beautiful; the hard thing is to die for the miserable and corrupt.
Christ did not die to make good works merely possible or to produce a half-hearted pursuit. He died to produce in us a passion for good deeds. Christian purity is not the mere avoidance of evil, but the pursuit of good.
I have heard a good many pretend that they are going to die; or that they have died, for aught that I know. Nonsense! I'll defy them to do it. They have n't got life enough in them.... Only half a dozen or so have died since the world began.
So when you say who does Christ die for? He died for the church, okay. I don't think God's death on the cross through Christ was a failure, if you are saying that. I do not believe that anybody he intended to die for is failing in that area.
No, there's going to be no even tenor with me. The more uneven it is the happier I shall be. And when my time comes to die, I'll be able to die happy, for I will have done and seen and heard and experienced all the joy, pain, thrills — every emotion that any human ever had — and I'll be especially happy if I am spared a stupid, common death in bed.
Stanley Kubrick knew we had good graphics around MIT and came to my lab to find out how to do it. We had some really good stuff. I was very impressed with Kubrick; he knew all the graphics work I had ever heard of, and probably more.
I’m too young, too smart, and too good-looking to die. Yeah, and then some. The world needed him to improve the gene pool. Not to mention, at fourteen he hadn’t even had his first date yet. He’d only just, this night, had his first kiss. He should have recognized that alone as a sign that the apocalypse was coming and that his death was imminent.’ – Nick
I -- I alone know how to mourn for him as he deserves.' But while we were still shaking hands, such a look of awful desolation came upon her face that I perceived she was one of those creatures that are not the playthings of Time. For her he had died only yesterday. And, by Jove! the impression was so powerful that for me, too, he seemed to have died only yesterday -- nay, this very minute. I saw her and him in the same instant of time -- his death and her sorrow -- I saw her sorrow in the very moment of his death. Do you understand? I saw them together -- I heard them together.
My mother, who was radiant, young, and beautiful even as she lay dying, heard voices and saw visions, but she always managed to make friends with them and was much too charming to hospitalize even at her craziest.
At this rate, I'd be lucky if I wrote a page a day. Then I knew what the problem was. I needed experience. How could I write about life when I'd never had a love affair or a baby or even seen anybody die? A girl I knew had just won a prize for a short story about her adventures among the pygmies in Africa. How could I compete with that sort of thing?
I looked more widely around me, I studied the lives of the masses of humanity, and I saw that, not two or three, or ten, but hundreds, thousands, millions, had so understood the meaning of life that they were able both to live and to die. All these people were well acquainted with the meaning of life and death, quietly labored, endured privation and suffering, lived and died, and saw in all this, not a vain, but a good thing.
I'd always envisioned 'The Big Beat' leading off 'The Tale of the Tape' with the biggest drumbeat the rock world had ever heard. I knew I had something good... but I had no idea just how good.
It was wonderful love that Christ should rather die for us than for the angels that fell. They were creatures of a more noble extract, and in all probability might have brought greater revenues of glory to God; yet that Christ should pass by those golden vessels, and make us clods of earth into stars of glory -- Oh, the hyperbole of Christ's love!
I've found that the chief difficulty for most people was to realize that they had really heard new things: that is things that they had never heard before. They kept translating what they heard into their habitual language. They had ceased to hope and believe there might be anything new.
The determining bulk of Scotch people had heard of golf ever since they had heard of God and often considered the two as of equal importance.
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