A Quote by Graham Colton
When you are on a major record label, you're just forced to think big. You are forced to think about things like "how many radio spins did we get this week?" or "how many albums did we sell across the country. Being independent, you are just focused on the city that you are playing in tonight. How many people can I meet and become friends with tonight. That's one of the great things about being an independent artist.
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Writing is, by its nature, interior work. So being forced to be around people is a great gift for a novelist. You get to be reminded, daily, of how people think, how they speak, how they live; the things they worry about, the things they hope for, the things they fear.
The reason this country continues its drift toward socialism and big nanny government is because too many people vote in the expectation of getting something for nothing, not because they have a concern for what is good for the country. A better educated electorate might change the reason many persons vote. If children were forced to learn about the Constitution, about how government works, about how this nation came into being, about taxes and about how government forever threatens the cause of liberty perhaps we wouldn't see so many foolish ideas coming out of the mouths of silly old men.
I don't think, like, 'I've got to sell so many records here, or so many records there.' That's the record label's job. They've got to worry about how were doing in Kazakhstan or Germany. My job is just to write and sing.
My favourite thing about being a model is the people that I meet. I don't think there's any other job where you get to learn so many things about so many different people. I just love forging new relationships.
I never was a person that wanted that life...I'm a leader not a follower. I don't care what they say, or what they're doing or what they're wearing. Go ahead, cos come Judgement Day, all of that won't matter. How many people did you help. How many people did you talk to. How many people did you try to encourage. How many people did you bring to God. That's what's gon' matter.
I think if you don't like being in your skin, it doesn't matter how many times people say you're beautiful, how many jobs you get, or whatever it is - I just didn't want to be Adwoa.
What? she said once to herself, and then once aloud, What? She felt a total displacement, like a spinning globe brought to a sudden halt by the light touch of a finger. How did she end up here, like this? How could there have been so much - so many moments, so many people and things, so many razors and pillows, timepieces and subtle coffins - without her being aware? How did her life live itself without her?
Remember the Stax label and how if you liked one record, you liked all the others as well? You don't talk to a lot of people who tell you how much they love their record label. I don't care how many records they sell.
Material success is rewarding and a lot of fun, but it's not the most important thing in my life because I know when this is all over, the Master isn't going to ask me how many things I owned or how many television shows I did. I think the questions will be, What did I do to make a difference? Did I learn to live with love in my heart?
People always ask, "How do you get in the mind of the teen reader?" I think all human beings have these common threads. We struggle with the same things. We desire love and attachment. We have to sort out how much we want to be attached and be independent, how we manage need and being needed and being hurt. These are things that begin when we're - how old? Then in those teen years we start to really feel them.
One of my favorite things about the DC Universe, growing up as a reader, was just how big it was and just how many characters and superheroes there were. And how many odd characters there were.
I am an artist, and I understand the pros and cons of being an artist, and the pressures of being an artist, and how much being an artist can be torture to people around you; you know, you friends and your family and how material you can be, and how it's hard to take criticism and all the things like that.
I think that the song, the song "Stand By Me" is one of those songs that... and someone asked me, what was you thinking about or what was you feeling about? It's something that, songwriters just write songs. It's like an artist that paints. They paint what they feel. It's not, it's not about how many of these painting I'll sell it's just how they feel at the moment. And that's how I wrote "Stand By Me".
I think the Netherlands will become one big city at a point. It is inevitable when you live in a country with so many people. You cannot afford to leave nature as it is. Some people believe that the dunes should be left in their original state, but I think it's strange to let things become how they were 500 years ago.
People who are just starting out are always sort of coming to me for advice as the example of "independent girl," and lots of people ask, well, how did you get the booking agent or the national distribution or the tours? And I look at them like, "Good lord! Relax!" I mean, how I did it was to not care about it and to not even think about it for years and years. All I thought about was getting the next little gig in the little bar, and I get this sense that people want me to give them the secret formula or the magic trick to make it all happen.
I have hundreds and hundreds of songs waiting to get on albums, but I don't know about the three-month radio tours and if I'll be interested in that. I haven't figured it out, but I will definitely be doing music, whether it is independent or with a major record label.
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