A Quote by Gugu Mbatha-Raw
Speaking as a mixed-race woman, there aren't many historical stories about people like me.
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For film, I think because it's more detailed, and especially with historical material, you really have to find the right projects. Speaking as a mixed-race woman, there aren't many historical stories about people like me. When people think of 'dual heritage,' they think it's a modern concept, but really it's not.
My mixed-race background made me a broad person, able to relate to different cultures. But any woman of colour, even a mixed colour, is seen as black in America. So that's how I regard myself.
I stopped playing mixed doubles and there is no result in mixed doubles. I was world number six. People who are talking about me and my performance and questioning my career and my achievements, where is the next mixed doubles pair, please show it to me. I would like to know.
I do think women are unfairly judged by their physical appearance, but I don’t think it had anything to do with being mixed-race. In my opinion, mixed-race people are the most beautiful.
I am in a mixed race marriage myself, and I have a mixed race son....The racial perception interest is probably always going to be there to some extent.
I represent the mixed race community, which I think gets left out a lot. I always describe myself as being mixed race.
Being mixed race in Britain in the '80s and '90s, there just weren't loads of people who looked like me.
Just recognizing and naming that many of the things we treat as historical fact are stories can help erode their power over our sense of identity and thinking. If they are stories rather than "truth," we can write new stories that better represent the country we aspire to be. Our new stories can be about diverse people working together to overcome challenges and make life better for all, about figuring out how to live sustainably on this one planet we share, and on deep respect for cooperation, fairness, and equity instead of promoting hyper-competitive individualism.
I think when people talk about race relations in America, they talk about African-American and white people. Asians are not often brought into the conversation. But there's a historical legacy of issues between them. It's hard to be like, 'What about us?' But we are a little underrepresented.
It's not even about black and white anymore, because so many people are from mixed backgrounds and mixed ethnicities, and it's just a great time to be able to pull all that together.
Speaking in Hindi has helped me a lot as I can tell my stories with the exact idiom in which they come to me. I think it also helps the audience when I am speaking in a language that is non-elite, so to say, as my stories are also from that perspective.
In 'Labor Day Hurricane, 1935,' Douglas Trevor vividly recreates a historical event. While that is the only story in A THIN TEAR IN THE FABRIC OF SPACE in the historical past, many of the other stories juxtapose fact-both historical and scientific-with narration to an engaging effect, one that distinguishes the voice of this new writer.
'Jack & Diane' was originally about race. I was playing nightclubs, and I was seeing new American couples, mixed-race couples. I thought it was cool. The song was my effort to make a song about that, but of course the record-company guy didn't like it.
Many stories are invented about me - too many stories; almost everyone uses me, and I'd say about 0.01 percent of the gossip is true.
A lot of mixed-race stories are these navel-gazing, horrible accounts of mulatto tragedy.
I like human stories. I like stories about situations we can relate to. I like movies like 'Ordinary People' or 'Terms of Endearment.' Mothers and daughters, fathers and sons, boyfriends, girlfriends. The stories to me that are worth telling are almost simple ones, but very relatable.
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