A Quote by Gugu Mbatha-Raw

I prefer to focus on the future. There are a lot of new stories to be heard. — © Gugu Mbatha-Raw
I prefer to focus on the future. There are a lot of new stories to be heard.
I enjoy classics, but classics are classics for a reason. I prefer to focus on the future. There are a lot of new stories to be heard.
A lot of the stories about urban America tend to be written on the margins. We focus a lot on these big global cities - New York, San Francisco - or we focus on cities that are having the toughest time - Detroit, Newark, Camden.
One cannot make up stories; one can only retell in new ways the stories one has already heard.
I'm really terrible at math, so I won't even attempt to do ratios and percentages, but all I know is that there's a lot of new songs that no-one has heard yet, and that there's a lot of old songs that some very, very super hardcore fans have heard for sure - there are people that have been coming and seeing me play in bars in like 2002, and there are songs that those people heard.
I have heard a lot of stories - we're putting this in for the monitors, we've got this other set of records. This is a relatively new field, but they're getting better. They're getting more resources from the companies. At some point the factories say, okay, this is here to stay.
Too often, politics is like bad theater. The mass media simplifies stories and personalities into their most basic, digestible and familiar bits. Listeners prefer songs they have heard before, after all.
These stories seem at times to be stories of a long-lost world when the city of New York was still filled with a river light, when you heard the Benny Goodman quartets from a radio in the corner stationery store, and when almost everybody wore a hat.
I've heard a lot of crack stories. I heard a RZA crack story, up close and personal, over a platter of 100 chicken wings that only him and his friend ate. It was a good day.
My father used to tell me stories before I fell asleep. When the children would gather, at a certain point, I had a tendency to make up my own elementary variations on stories I had heard, or to invent totally new ones.
I prefer not to use any machines. I focus a lot on cardio, which is what I do when I'm on stage. I also am into isometric workouts.
In the '50s, a lot of stories were built around radiation and the proliferation of new technology. In the '70s, there were a lot of stories that dealt with the Vietnam War. So comic books have always been a reflection of the times we live in.
I prefer love scenes to be shot up close with a lot of focus on eyes and mouths. Otherwise it can feel uncomfortable and voyeuristic.
There are a lot of New York City Thanksgiving traditions. For example, a lot of New Yorkers don't buy the frozen Thanksgiving turkey. They prefer to buy the bird live and then push it in front of a subway train.
A lot of stories that have fascinated me are tabloid stories that have come from other newspapers, like 'The New York Times.'
In my cranky old age, I actually prefer recording alone now, on 'The Simpsons,' for example, because I find that the director can just focus on what I'm doing and I can do a lot of variations. A lot of times, when I record with a group, I'll stay after class for another hour or two.
When I go to the movies, one of my strongest desires is to be shown something new. I want to go to new places, meet new people, have new experiences. When I see Hollywood formulas mindlessly repeated, a little something dies inside of me: I have lost two hours to boors who insist on telling me stories I have heard before.
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