A Quote by Gong Li

I've been to Cannes 15 or 16 times, and every time I go, there's a kind of soul-stirring feeling. — © Gong Li
I've been to Cannes 15 or 16 times, and every time I go, there's a kind of soul-stirring feeling.
I was asked to go to Cannes to present Amores Perros. And little did I know that this film would be huge. I saw it for the first time in Cannes, and it was the first time I'd seen myself on such a big screen. And it had a huge impact on me - it was the strangest feeling.
I'm not going to say I'm not a fan, but I'm a fan of house music, essentially, and kind of indie, and I was always into the kind of sub-pop Seattle Mud Honey and Pearl Jam kind of sound. But my kind of big love was house music ever since I was 15/16, going to raves when I was 15 or 16 years old and not going to school, like a naughty boy.
Pace judgement is everything in the hour record. If you can ride 16.1 or 16.2-second laps constantly for 221 laps, and not go 15.9s or 16.4s, it's keeping it on the line every lap, lap after lap.
Win 10 times in an important event like Monte-Carlo is something difficult to describe the feeling. Every year have been a different feeling. At the same time is always a unique moment every time I have this trophy with me.
My dad has kind of been the standard for me, he played 16 years in the league, and since I've been in the league, every year that I go through and deal with the scratches, the bumps and bruises, just the grind that it is to go through one NBA season.
I was such a scared cling-on-to-my-mum's-leg kind of girl, even when I was 15, 16. If I was in McDonald's and I needed ketchup, I wouldn't go up and ask. I'd be too shy.
I didn't 'decide' to write YA, per se. But every time I thought of a story, it featured characters 15, 16, 17.
Everything happens for a reason. Like, I kind of hear people go, 'Man, you've been in a lot of bands.' Yes, I have. I've also been married several times, too, and every time I get into something, I think, 'This is the one.' I think that's just human nature.
With an inexperienced director, a lot of times the days go on to 14, 15, 16 hours. It goes horrendously overtime. And because of the lack of money, they just keep you there, regardless of the hours.
My most string-beanish, I guess, is when I was 15 years old. From 15 to 16, I went from 155 pounds to 215. By the time I graduated from high school, I was between 235-250.
There have been times where I have been playing a 16-year-old, and people have been like, 'She still looks 12.' I'm like, 'I'm 22. What do you mean I don't look 16?' So I'm comfortable just rocking my young body.
We live in stirring times- tea-stirring times.
It's when children are 15, 16 or 17 that they decide whether they want to be a doctor, an engineer, a politician or go to the Mars or moon. That is the time they start having a dream, and that's the time you can work on them. You can help them shape their dreams.
There are a bunch of images that are thrown in our faces all the time about what we're supposed to look like at 14, 15, 16. It's confusing. I think every woman can identify with that struggle.
When you stay with Barcelona and are only 15 or 16, the people show you a lot of time, and you are in the newspaper every day. This sometimes is good, but sometimes this is bad.
Every time I meet a tree, if I am truly awake, I stand in awe before it. I listen to its voice, a silent sermon moving me to the depths, touching my heart, and stirring up within my soul a yearning to give my all.
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