A Quote by Gunter Grass
What does a river like the Vistula carry away with it? Everything that goes to pieces: wood, glass, pencils, pacts ... chairs, bones, and sunsets too. What had long been forgotten rose to memory, floating on its back or stomach, with the help of the Vistula.
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There can be no doubt that if we had been victorious on the Vistula, the revolutionary fires would have reached the entire continent.
Your whole past is like a long sleep which would have been forgotten had there been no memory, but remembrance is there in the blood and the blood is like an ocean in which everything is washed away but that which is new and more substantial even than life - reality.
This was a voice that drew out memories stretched thin by years of recollection, like paper unfolded and refolded too many times. A voice that brought back, like a wave, the memory of another time on this bridge, a night so long ago, everything black and silver and the river rushing away under her feet.
Kessa ran her fingers over her stomach. Flat. But was it flat enough? Not quite. She still had some way to go. Just to be safe, she told herself. Still, it was nice the way her pelvic bones rose like sharp hills on either side of her stomach. I love bones. Bones are beautiful.
All I'd ever wanted was to forget. but even when I thought I had, pieces had kept emerging, like bits of wood floating up to the surface that only hint at the shipwreck below.
One of the most poignant pieces of recent science fiction for me was the portrayal of the adults in the Pixar film WALL-E. I feel like we're on the cusp of becoming fat babies in floating chairs being fed everything in shake form, and I feel like I am as prone to laziness as anybody.
I'd forgotten how that sort of craving felt, how it rose suddenly and loudly from the pit of my stomach like a flock of startle birds, then floated back down in the slow, beguiling way of feathers.
Love does not terrify me. But the going away of it does. I have been made terribly aware of how everything can be wrenched away from you and your life torn apart. If I had known very secure nights all my life, if I had never seen or felt the fear of being tortured or deported or blown up into a million pieces, then I would not fear it.
I want you to feel in 'Riversong' like you're floating down a river on your back, and you're looking at the stars, and everything is incredibly still and peaceful.
Memory is corrupted and ruined by a crowd of memories. If I am going to have a true memory, there are a thousand things that must first be forgotten. Memory is not fully itself when it reaches only into the past. A memory that is not alive to the present does not remember the here and now, does not remember its true identity, is not memory at all. He who remembers nothing but facts and past events, and is never brought back into the present, is a victim of amnesia.
Fonny and I just sat there... while the voices of the congregation rose and rose around us, without mercy... Teddy had the tambourine, and gave the cue to the piano player-I never got to know him: a long dark, evil-looking brother, with hands made for strangling; and with these hands he attacked the keyboard like he was beating the brains out of someone he remembered. No doubt the congregation had their memories, too, and they went to pieces. The church began to rock.
So, when I thought June might take you away, I didn’t know what to do. I felt like she was taking everything that mattered to me. I felt like she was taking away from you all the things that I didn’t have. That’s why I’m sorry. I’m sorry because you shouldn’t have to be everything to me. I had you, but I’d forgotten that I had myself too.
At the tips of the feathers there is air and at their base: blood. I hold up bones; I wish like broken glass they could court light....still I try to place these pieces back together, to set them firm, to make murdered girls live again.
There [DreamTigers by Jorge Luis Borges] were these little fablesque things, you know, dream tigers, beautiful, beautiful pieces that when you read them had the power of a long piece, but they were prose, and they had the power of poetry, in that the last line wasn't the end, it was a reverberation, like when you tap on a glass made of crystal, and it goes ping.
And at the other end of the bar the world is full of the other type of person, who has a broken glass, or a glass that has been carelessly knocked over (usually by one of the people calling for a larger glass) or who had no glass at all, because he was at the back of the crowd and had failed to catch the barman's eye.
If the elbow had been placed closer to the hand, the forearm would have been too short to bring the glass to the mouth; and if it had been closer to the shoulder, the forearm would have been so long that it would have carried the glass beyond the mouth.
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