A Quote by Gutzon Borglum

The aim of art is to understand and establish order, which is another form of beauty. — © Gutzon Borglum
The aim of art is to understand and establish order, which is another form of beauty.
The highest aim of the aesthetic being is to find the Divine through beauty; the highest Art is that which by an inspired use of significant and interpretative form unseals the door of the spirit.
Art is not and never has been subordinate to moral values. Moral values are social values; aesthetic values are human values. Morality seeks to restrain the feelings; art seeks to define them by externalizing them, by giving them significant form. Morality has only one aim - the ideal good; art has quite another aim - the objective truth... art never changes.
The refining influence is the study of art, which is the science of beauty; and I find that every man values every scrap of knowledge in art, every observation of his own in it, every hint he has caught from another. For the laws of beauty are the beauty of beauty, and give the mind the same or a higher joy than the sight of it gives the senses. The study of art is of high value to the growth of the intellect.
The Mode of circular reasoning is the form used when the proof itself which ought to establish the matter of inquiry requires confirmation derived from the matter; in this case, being unable to assume either in order to establish the other, we suspend judgement about both.
Since art is the expression of beauty and beauty can be understood only in the form of the material elements of the true idea it contains, art has become almost uniquely feminine. Beauty is woman, and also art is woman.
Whatever form it has, it [matter] will be disposed to receive another form; it never leaves off moving and casting off the form which it has in order to receive another. ...It is therefore clear that all corruption, destruction, or defect comes from matter.
There's just a spirit about you that it's such a beautiful art form in which you can implement strategy in order to subdue another individual. And I really feel like that's in wrestling and UFC; we're kind of - we collaborate in that way.
No, this customary aim of research by excavators is completely foreign to the historical work with which I am occupied... my sole and only aim is to be able to establish a historical fact, on which I disagree with some eminent historians and geographers.
An art, which has an aim to achieve the beauty, is called a philosophy or in the absolute sense it is named wisdom.
Art always serves beauty, and beauty is the joy of possessing form, and form is the key to organic life since no living thing can exist without it.
For he who would proceed aright... should begin in youth to visit beautiful forms... out of that he should create fair thoughts; and soon he will of himself perceive that the beauty of one form is akin to the beauty of another, and that beauty in every form is one and the same.
In order to comprehend the beauty of a Japanese garden, it is necessary to understand - or at least to learn to understand - the beauty of stone.
To have a vision of the cosmic plan, in which every form of life depends on directed movements which have effects beyond their conscious aim, is to understand the child's work and be able to guide it better.
A man needs no arguments to make him discern and approve what is beautiful: it strikes at first sight, and attracts without a reason. And as this beauty is found in the shape and form of corporeal things, so also is there analogous to it a beauty of another kind, an order, a symmetry, and comeliness in the moral world. And as the eye perceiveth the one, so the mind doth by a certain interior sense perceive the other, which sense, talent, or faculty, is ever quickest and purest in the noblest minds.
Beauty feeds us. Anarchy is beauty. We are against the grey people. We want to decorate, like those fantastic Indian lorries which are covered with flowers. Beauty must conquer the lust for order; order is ugliness.
What art makes us see, and therefore gives to us in the form of 'seeing', 'perceiving' and 'feeling' (which is not the form of knowing,) is the ideology from which it is born, in which it bathes, from which it detaches itself as art, and which it alludes.
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