A Quote by Gutzon Borglum

If you are an artist, you may live with Lincoln. You sit with him, your coat is spread to keep the snow from the grave of Ann Rutledge; you will walk with Washington through the snow and suffer with him as you note the bloodstained footsteps at Valley Forge.
If you no longer live, if you my beloved, my love, if you have died, all the leaves will fall in my breast, it will rain in my soul night and day, the snow will burn my heart, I shall walk with frost and fire and death and snow, my feet will want to walk to where you are sleeping, but I shall live
In 'Red Dead Redemption' they have a thing where if you walk through snow your footsteps stay where you've gone. I think that's just representative of humanity.
Here in the deep powder snow you don't hear yourself ski. You don't hear your long turns or your short turns. You just float. The faster you go, the better. The less you struggle, the better. You move through the deep light snow, through the deep snow with some crust on it, through the deep snow with some wind in it.
I grew up on the edge of a national park in Canada - timberwolves, creeks, snow drifts. I really did have to walk home six miles through the snow, like your grandparents used to complain.
It's been written that the most sublime figure in American history was George Washington on his knees in the snow at Valley Forge. He personified a people who knew that it was not enough to depend on their own courage and goodness, that they must also seek help from God - their Father and preserver. Where did we begin to lose sight of that noble beginning, of our conviction that standards of right and wrong do exist and must be lived up to? Do we really think that we can have it both ways, that God will protect us in a time of crisis even as we turn away from him in our day-to-day life?
In the bleak midwinter Frosty wind made moan, Earth stood hard as iron, Water like a stone; Snow had fallen, Snow on snow, Snow on snow, In the bleak midwinter, Long ago.
The wind bit hard at Valley Forge one Christmas. Soldiers tied rags on their feet. Red footprints wrote on the snow...
I know how people are, with their habits of mind. Most will sail through from cradle to grave with a conscience clean as snow...I know people. Most have no earthly notion of the price of a snow-white conscience.
Sure, the first light snowfall may be a chance to dance giddily, leaving squeaky footprints through the neighborhood, marking the runner's right to the domain. But later drubbings of snow merely complicate running. Snow turns to ice, to slush, to ice again. Tire ruts twist ankles. New snow hides the hazards.
To be seventy years old is like climbing the Alps. You reach a snow-crowned summit, and see behind you the deep valley stretching miles and miles away, and before you other summits higher and whiter, which you may have strength to climb, or may not. Then you sit down and meditate and wonder which it will be.
But I would rather have snow. Snow is the on.y weather I really like. Nothing makes me less grumpy than snow. I can sit by a window for hours watching it fall. The silence of snowfall. You can use that. It's best when there's background lighting, for example a street lamp. Or when you go outside and let it flutter down on you. That's real riches, that is.
Please drop a note to the clerk of the weather, and have a good, rousing snow-storm -- say on the twenty-second. None of your meek, gentle, nonsensical, shilly-shallying snow-storms; not the sort where the flakes float lazily down from the sky as if they didn't care whether they ever got here or not, and then melt away as soon as they touch the earth, but a regular business-like whizzing, whirring, blurring, cutting snow-storm, warranted to freeze and stay on!
Inside the snow globe on my father's desk, there was a penguin wearing a red-and-white-striped scarf. When I was little my father would pull me into his lap and reach for the snow globe. He would turn it over, letting all the snow collect on the top, then quickly invert it. The two of us watched the snow fall gently around the penguin. The penguin was alone in there, I thought, and I worried for him. When I told my father this, he said, "Don't worry, Susie; he has a nice life. He's trapped in a perfect world.
It is the work of the Canadian artist to paint or play or write in such a way that life will be enlarged for himself and his fellow man. The painter will look around him . . . and finding everything good, will strive to communicate that feeling through a portrayal of the essentials of sunlight, or snow, or tree or tragic cloud, or human face, according to his power and individuality.
We've been a free people living under the law, with faith in our Maker and in our future. I've said before that the most sublime picture in American history is of George Washington on his knees in the snow at Valley Forge. That image personifies a people who know that it's not enough to depend on our own courage and goodness; we must also seek help from God, our Father and Preserver.
What?" she asked again. He pointed ahead of them. "See that?" "What, the snow?" "Beyond that." "More snow?" "Stop looking at the snow.
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