A Quote by Gary Allan
I think the real problem is that nobody buys albums anymore, so you don't get the depth of the artists that are out today. What you get is whatever they felt is politically correct to get on there and actually make some impact. I think that's where you're losing your depth. You're only getting the very top of everything. It really bothers me.
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Drax isn't your average stereotypical soldier/warrior/musclehead. He actually has some depth. It was a character that I wanted to play, not only because I love acting so much, but also, I needed to play to get people to actually take me seriously as an actor and get away from the pro wrestling label.
I got into a bad habit of dropping my elbow and pushing the ball to the plate instead of getting on top of it and using some leverage to get it down in the strike zone or get some depth with the ball.
There's a lot of other artists doing things outside of that depth that I enjoy - that music that I can actually have fun to, and not be in depth and think about, then I appreciate that.
The opportunity to shoot and get the depth out of the film - that I don't think you can get out of digital - is a huge deal for me.
Some people think that Southern hip-hop doesn't have any depth. They think it's just noise, all about people having a good time in the club. And some of it doesn't have a lot of depth, it's true, but some does. I wanted to work against that stereotype. These are verses by Southern artists who are really wrestling with what it means to be here, young black men who are trying to figure out how to live in the South. So I wanted the epigraphs in my novels to reflect that.
Don't love deeply, till you make sure that the other part loves you with the same depth, because the depth of your love today, is the depth of your wound tomorrow.
Nobody really knows if there's a God - not Oprah, not Joel Osteen, not the Pope. Nobody has touched or felt or conversed with God. They say they have, but let's get real. I think that is what keeps me from coming out as an atheist. I think to myself, even the atheists don't know that there isn't a God. Nobody knows anything.
Oh God, it's such a big world right now for artists. There are as many possibilities as you can have time for, getting your music out there with the internet, and Youtube, Vimeo, Facebook, and everything that you have, there is a way to spread the word. To me, the first thing you have to have is substance and content and real depth.
I think that with albums these days, as long as you are moving forward and not trying to re-create things and looking back, albums are like living breathing things. They change, they evolve and it's this big thing that you are trying to get out to people. To me, whatever you can do to get it out there, do that.
I don’t understand all the nuances of the women’s movement. But I do understand that there are feminists who want to challenge the dominant paradigm, not only of patriarchy, but of where the original wealth came from and the relationship of that wealth to other peoples and the earth. That is the only way that that I think you can really get to the depth of the problem.
My fear is we're not teaching competition. We're shielding people from it. For the longest time children, you know, nobody's allowed to win anything, participation trophies. But when you get to real life and if you really want to amount to something, when you get whatever line of work you're in, as you get to the top of that line of work, there are very few people there.
Sometimes, I seem to be only able to actually move and get going with things on the razor edge of possibly still managing whatever it is I'm supposed to do. I think, secretly, I might even get a buzz out of it. Maybe I crave the adrenalin like some sort of crazy gambler high on risking everything on the turn of a card.
If you're an evil company who's casting minorities to be in your commercial to get the politically correct card, it's like putting a band-aid over a bigger problem. But I think it's an incredible start.
The biggest thing when you come to my show live... is that you get to know the person's heart - the stories behind the songs, the depth of the music and there will be some amazing worship moments. You'll get an amazing experience because this is real to me and you'll see that.
I think bringing depth to characters means really needing to find out who this girl is, what is she passionate about, what makes her tick, what gets her going in life. So I did a lot of backstory for who she was and sometimes it comes across screen and sometimes it doesn't. You never know, because you're not the director, but you can only do your work and hope that it somehow subtly is infiltrated in that. But I think the characters I've played for the most part have depth, just not in the way that you think they do.
What I was going for in the first two albums I didn't necessarily achieve. Because I was young and because it was my first time out. And the second album was such a 'quickie' sort of 'Let's just get it over with!' But the kind of music I make, there's a lot of subtlety in it. And I think it takes a couple of listens to actually really get it.
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