A Quote by Gary Johnson
I'll be the first one to admit that if I have conclusions based on faulty premises, then let me know about that, and I'll be the first one to change it.
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Facts are not truths; they are not conclusions; they are not even premises, but in the nature and parts of premises.
The No. 1 thing you should know about me: I've always tried to put God first in my life, and I'm the first to admit I often have failed because I'm too proud and too stubborn.
I know people look at me and try to make conclusions about me immediately, based on the obvious, let's say.
I was always the best athlete, people don't know that. But I was successful at everything I ever did and then I run for president, first time - first time, not three times, not six times. I ran for President first time and lo and behold, I win. And then people say oh, is he a smart person? I'm smarter than all of them put together, but they can't admit it. They had a bad year.
The method of exposition which philosophers have adopted leads many to suppose that they are simply inquiries, that they have no interest in the conclusions at which they arrive, and that their primary concern is to follow their premises to their logical conclusions.
What a mathematical proof actually does is show that certain conclusions, such as the irrationality of , follow from certain premises, such as the principle of mathematical induction. The validity of these premises is an entirely independent matter which can safely be left to philosophers.
Genius - to know without having learned; to draw just conclusions from unknown premises; to discern the soul of things.
This is an important distinction, because most of the modern philosophies that deny that we can know reality, and ultimately truth, make the mistake of constructing epistemological systems to explain how we know reality without first acknowledging the fact that we do know reality. After they begin within the mind and find they can't construct a bridge to reality, they then declare that we can't know reality. It is like drawing a faulty road map before looking at the roads, then declaring that we can't know how to get from Chicago to New York!
I remember when Lindbergh arrived in Paris, I was one of the first persons to know about his landing, because as the French people know that I was born in St. Louis, thinking I would be very proud to announce it to the public, they gave me the news first. I was then starring in the 'Folies Bergere.'
We first observe facts, then generalise, and then draw conclusions or principles.
The best advice on writing was given to me by my first editor, Michael Korda, of Simon and Schuster, while writing my first book. 'Finish your first draft and then we'll talk,' he said. It took me a long time to realize how good the advice was. Even if you write it wrong, write and finish your first draft. Only then, when you have a flawed whole, do you know what you have to fix.
If everything was perfect, it would always be a person-first conversation, but whenever I have the opportunity, I lead with my personality. If they're looking and seeing the disability first or the chair first, I know that I have the ability to change that.
Never admit defeat and ask for a quick death! Die first, then admit defeat! If you are defeated but didn't die, it just means you were lucky! At those times, think only about survival! Survive and think only about killing the one who failed to kill you!
Josh had told me a long time ago that he had this theory that an entire relationship was based on what occurred over the course of the first five minutes you know each other. That everything that came after those first minutes was just details being filled in. Meaning: you already knew how deep the love was, how instinctually you felt about someone. What happened in their first five minutes? Time stopped.
The problem is so severe that trying to say, "First we'll fix the government and then we'll tackle climate change," or, "First we have to figure out alternative systems to capitalism and then we'll tackle climate change," I don't see how those things are possible in the very short term.
What comes first? The melody, always. It's all about singing the melodies live in my head. They go in circles. I guess I'm quite conservative and romantic about the power of melodies. I try not to record them on my Dictaphone when I first hear them. If I forget all about it and it pops up later on, then I know it's good enough. I let my subconscious do the editing for me.
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