A Quote by Gary Louris
I just think I just noticed that when I was working on other people's music I found myself missing a bit of the total control I had doing my own.
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I'm accustomed to just working by myself, alone in the room and cranking up the music and just working and getting all into an obsessive state where I'm focused on this thing, and it's the one thing that I feel like I may have a little bit of control over in my life.
While 'Felicity' was successful in the States, and I had opportunities to do other stuff, I didn't want to do anything to make myself more famous. I wasn't dealing well with the celebrity of all of that. I was 23 - just a kid - and not coming from money, it was all just too much. I just wanted to slow it down a little bit, and gain control.
Saddam, as most tyrants, was a total control freak. He wanted total control of his regime. Total control of the country. And to introduce a wild card like Al Qaeda in any sense was just something he would not do.
I got involved in lots of different areas round about 2007, 2008. Just working with lots of different people and stretching myself in different ways. I was working on art projects and working with other writers, just doing bits and pieces, trying to keep busy.
I don't know if other people have found it difficult relating to me, certainly that's not the feedback I've had. I don't think of myself particularly as a woman working in sport. I think of myself as a broadcaster, a journalist, and the right person for the job, regardless of whether I happen to be female or male.
We were just touring Europe, and I noticed that we'd go to all these beautiful places, and everyone's just taking a picture of themselves. I don't understand that at all. And I feel like that extends to music. I think we've lost the script a little bit.
I would never have been discovered without the X Factor. I was just doing the working men's clubs and I loved doing that. That was the life for me at that time. I never expected to be noticed doing that, that's why I went for X Factor by myself.
I think the tools were always available, for decades and decades, to make your own film and be creative. I don't think people had to wait for YouTube to do this type of small project. YouTube, I think it's great. I have this idiotic satisfaction. And I think there's a bit of that in YouTube. You share, true, but it's centralized, and it's already sort of controlled. I'm more for something that's not a centralized medium. Like doing your own film and screening it yourself. You cannot control people doing that.
I think I'm just trying to show a more mature side of the band and I think we've really come into the sound of our band. With every album we've grown, but I think this is just a really good picture of where we are right now and how we feel our music represents us. Under the thumb of other record companies we haven't had as much creative control and I think with this record we really did our own thing.
The drinking was getting way out of control. I just didn't recognize myself anymore. I didn't know what I was doing or where I was. I always had to have some drinks with me in my bag. Just waking up shaking and then having Bloody Marys on your own, first thing in the morning-I started to feel really pathetic about it. So I was like, "I can't live like this." It was just this really awful feeling of becoming a totally different person and not being able to control it at all. Then I tried to not drink, but that didn't work. So I figured I should just go to rehab.
I think I kind of approached music with this sort of, like, weird thing where I kinda set myself up where I could kinda be myself but not really. I kinda had a backdoor out. So if you criticized me, I kinda had my defenses working. And the problem is that some people seize on that as inauthenticity, which is understandable. So that's painful because it's not that you're being inauthentic...there's a difference between being a poseur and being someone who's so emotionally challenged they're kind of just doing their best to show you what they've got.
Just going through a lot in my life, becoming more confident in myself, writing my own music and just really getting in the studio and just doing it.
I think a lot of people get into what they're eating. Yes, it's important, but at some point, let's think about what we're feeling. It can become a control issue to control everything that you're eating and the exercise that you're doing. I think it's good to do a bit of everything, but to just notice how you're feeling when you wake up in the morning.
I had a lot of good times. I had a lot of fun. I liked what I was doing, so I just kept doing it. At the Tape Music Center, I was working from midnight to four in the morning. Because then it was quiet, nobody was there, and I could just do my work. I didn't have to fool around.
There are other people coming out now, like Adele, people who are making their own music, doing their own stuff. That's a good thing. I think that music's okay. I don't think we need to worry about it.
I think all dancers are control freaks a bit. We just want to be in control of ourselves and our bodies. That's just what the ballet structure, I think, kind of puts inside of you.
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