A Quote by Gary Myers

You want to be the one that people piclk up the paper in the morning to see what you say. — © Gary Myers
You want to be the one that people piclk up the paper in the morning to see what you say.
I wake up every morning at nine and grab for the morning paper. Then I look at the obituary page. If my name is not on it, I get up.
I see what I want of Love... I see horses making the meadow dance, fifty guitars sighing, and a swarm of bees suckling the wild berries, and I close my eyes until I see our shadow behind this dispossessed place... I see what I want of people: their desire to long for anything, their lateness in getting to work and their hurry to return to their folk... and their need to say: Good Morning.
Men wake up aroused in the morning. We can't help it. We just wake up and we want you. And the women are thinking, "How can he want me the way I look in the morning?" It's because we can't see you. We have no blood anywhere near our optic nerve.
We see only the script and not the paper on which the script is written. The paper is there, whether the script is on it or not. To those who look upon the script as real, you have to say that it is unreal - an illusion - since it rests upon the paper. The wise person looks upon both paper and script as one.
People didn't suddenly wake up one morning and unanimously say 'I'm fed up with midbudget dramas. I'm only going to see action tent poles from now on!'
In the morning, I get the paper. I look in the obituary column. If I don't see myself in there, I get up.
Good Lord's been kind to me, that's all I can say. I wake up in the morning with music in my head a lot of times. I won't say every morning, but I wake up in the morning sometimes with eight bars in my head and I just go to the piano.
When people say I'm powerful, it scares me in a way. If you saw what I see when I wake up in the morning, you wouldn't think that either.
When you stand up in the morning, you look in the mirror and say, 'I'm black.' No. You wake up and you see yourself as a human being in the world, but you raise discussion and raise aggression, the anger that you confront every day of your life, whether you want to or not.
Sometimes I want to clean up my desk and go out and say, respect me, I'm a respectable grown-up, and other times I just want to jump into a paper bag and shake and bake myself to death.
When a lot of people wake up in the morning and put on their underwear, the first thing they feel that day is terrible about themselves. When you see that your body is not what other people want, it can be really devastating. I have so many friends that I grew up with who have had serious eating disorders.
I grew up in the traditional American newspaper world with a morning paper and an afternoon paper competing with each other beat by beat by beat. It was the most fun I've ever had. And it was great for journalism.
I want to see children curled up with books, finding an awareness of themselves as they discover other people's thoughts. I want them to make the connection that books are people's stories, that writing is talking on paper, and I want them to write their own stories. I'd like my books to provide that connection for them.
I don't want to have my children have to get dressed up to go out to say good morning and deserve to live among some other people. I want to be able to be free and take for granted that my neighbors like me and I like them.
I think it's a dance that people want to see. It's a chemistry that people want to see. In the same way that people don't want to see a perfect hero with no flaws who can handle anything, people don't want to see a perfect relationship. There's nothing interesting about that. People want to see you fail.
People don't want to pay for pitches. They want to see it. If you hear one more time, "Well, that's execution-dependent." Everything's execution-dependent! If there's something that's going to be a little bit more interesting than The Untitled Slinky Movie, then I think that writers that want to do interesting work and at the same time commercial work need to put it down on paper. So agents and producers that writers are working with are encouraging them to get it on paper because the studios like to see what they're buying rather than just imagine what it could be.
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