A Quote by Gary Reilly
It's a funny thing about writing. You get so balled up in a story idea that you lose your perspective and forget that human being might read your words someday.
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If you walk through life in a fighting pose with your fists balled up and ready to strike, someone, someday, somewhere, is going to want to test your mettle.
The best time to tell your story is when you have to tell your story. When it's not really a choice. But then, when you get that first, messy, complicated version down, you have to read it over and be very tough on yourself and ask, 'Well what's the story here?' If you're lucky enough to have someone you trust looking over your shoulder, he or she can help you if [you] lack perspective on your own story.
I'm trying to figure out a way to find comfort in my life as a human. I'm trying to be good at being a human being. You get chopped up. Someone breaks your heart, you lose your job, you get disappointed, someone dies in your family. Life chops you up, and you have to go on.
That's what I love about writing. Once you get the words down on paper, in print, they start to make sense. It's like you don't know what you think until it dribbles from your brain down your arm and into your hand and out through your fingers and shows up on the computer screen, and you read it and realize: That's really true; I believe that.
We don't often talk about the fact that writing is all about rhythm. When you get too up in your head, you can lose a lot of your writing. Sometimes what a writer really needs to do is go dancing.
To be born as a human being is a rare thing, something to be grateful for. But being born as a human being is worthless if you spend your whole life in a mental hospital. It is worthless if you worry about not having money. It is worthless if you become neurotic because you cannot get a prestigious job. It is worthless if you weep because you lose your girlfriend.
If you record the world honestly, there's no way people can stop being funny. A lot of fiction writing doesn't get that idea, as if to acknowledge it would trivialize the story or trivialize human nature, when in fact human nature is reduced and falsified if the comic aspects are not included.
The thing about being catapulted into a whole new life--or at least, shoved up so hard against someone else's life that you might as well have your face pressed against their window--is that it forces you to rethink your idea of who you are. Or how you might seem to other people.
Read the script as a fan and try to create this community in your head. That's the thing that a lot of people tend to forget - it's not just about your character. Even if you're a lead, you're still supporting the supporting the entire story.
As a human being, as you go through the course of your day, you might wake up with the shittiest day, and by noon something f - king historically funny happens around the water cooler, and you're about to fart yourself you're laughing so hard. And then you might have to think about something seriously for a minute.
The real truth - like anything, you have an idea about something you might write and it changes. People reflect on it or you get other ideas and maybe your original idea is radically different than how it ends up being. It's not a theorem. You don't sit down and prove something. You start with an initial idea and it grows and grows. The math of the narrative changes. In some ways your original document and what the film ends up being are quite different.
My music is more like ghetto gospel; there's a message in my words, so people listen. Sometimes you might here different things; it depends on how you feel. You might feel down, and I might be the cat in the same sentence saying, "You need to get up and do your thing." And then I could be the same cat, when you at the top of your game, telling you, "It feel good, don't it?" but with the same words.
We hurt each other, is the point. Hurt, annoy, embarrass, but move on. People, it just doesn't work that way. Your own feelings get so complicated that you forget the ways another human being can be vulnerable. You spend a lot of energy protecting yourself. All those layers and motivations and feelings. You get hurt, you stay hurt sometimes. The hurt affects your ability to go forward. And words. All the words between us. Words can be permanent. Certain ones are impossible to forgive.
Create dangerously, for people who read dangerously. ... Writing, knowing in part that no matter how trivial your words may seem, someday, somewhere, someone may risk his or her life to read them.
Squint your eyes and look closer I'm not between you and your ambition I am a poster girl with no poster I am thirty-two flavors and then some And I'm beyond your peripheral vision So you might want to turn your head Cause someday you might find you're starving and eating all of the words you said.
The dictionary is like a time capsule of all of human thinking ever since words began to be written down. And exploring where words have come from can increase your understanding of the words themselves and expand your understanding of how to use the words, and all of this change happens in your thinking when you read the words.
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