A Quote by Gustave Flaubert

A man is a critic when he cannot be an artist, in the same way that a man becomes an informer when he cannot be a soldier. — © Gustave Flaubert
A man is a critic when he cannot be an artist, in the same way that a man becomes an informer when he cannot be a soldier.
The Creation speaks a universal language, independent of human speech or human language, multiplied and various as they be. It is an ever-existing original, which every man can read. It cannot be forged; it cannot be counterfeited; it cannot be lost; it cannot be altered; it cannot be suppressed. It does not depend upon the will of man whether it shall be published or not; it publishes itself from one end of the earth to the other. It preaches to all nations and to all worlds; and this Word of God reveals to man all that is necessary for man to know of God.
I cannot understand a society that is more afraid of a man in a dress than a man in a soldier’s uniform.
If a man becomes more mature due to certain episodes in his life, it gives him the opportunity to look at life in a much more deep way. I believe the artist and the man work parallel, with the same feelings, the same soul, the same sensitivity.
The gods should certainly be revered, but kept at a distance... . The way is not beyond man; he who creates a way outside of man cannot make it a true way. A good man is content with changing man, and that is enough for him.
Any man who can write a page of living prose adds something to our life, and the man who can, as I can, is surely the last to resent someone who can do it even better. An artist cannot deny art, nor would he want to. A lover cannot deny love.
Waste cannot be accurately told, though we are sensible how destructive it is. Economy, on the one hand, by which a certain income is made to maintain a man genteelly; and waste, on the other, by which on the same income another man lives shabbily, cannot be defined. It is a very nice thing; as one man wears his coat out much sooner than another, we cannot tell how.
Technique is really personality. That is the reason why the artist cannot teach it, why the pupil cannot learn it, and why the aesthetic critic can understand it. To the great poet, there is only one method of music - his own. To the great painter, there is only one manner of painting - that which he himself employs. The aesthetic critic, and the aesthetic critic alone, can appreciate all forms and all modes. It is to him that Art makes her appeal.
One cannot distinguish between human and non-human acts. One cannot point, one cannot say this man here is a man and that man there is a devil.
A good soldier is a blind, heartless, soulless, murderous machine. He is not a man. His is not a brute, for brutes kill only in self defense. All that is human in him, all that is divine in him, all that constitutes the man has been sworn away when he took the enlistment roll. His mind, his conscience, aye, his very soul, are in the keeping of his officer. No man can fall lower than a soldier-it is a depth beneath which we cannot go.
Nature is a divine art; it cannot be the artist. It is a dominical book and cannot be the scribe. It is an embroidery and cannot be the embroiderer. It is a register and cannot be the accountant. It is the law and cannot be the power.
I'll not meddle with it; it is a dangerous thing; it makes a man a coward; a man cannot steal, but it accuseth him; a man cannot swear, but it checks him; a man cannot lie with his neighbor's wife, but it detects him. 'Tis a blushing, shame -faced spirit, that mutinies in a man's bosom ; it fills one full of obstacles; it made me once restore a purse of gold that by chance I found; it beggars any man that keeps it; it is turned out of all towns and cities for a dangerous thing; and every man that means to live well endeavors to trust to himself and live without it.
One of man's important mistakes, one which must be remembered, is his illusion in regard to his I. Man such as we know him, the 'man-machine,' the man who cannot 'do,' and with whom and through whom everything 'happens,' cannot have a permanent and single I. His I changes as quickly as his thoughts, feelings and moods, and he makes a profound mistake in considering himself always one and the same person; in reality he is always a different person, not the one he was a moment ago.
The average man cannot believe that an artist may be as serious and highminded an observer of life as the professed man of science.
Technique is really personality. That is the reason why the artist cannot teach it, why the pupil cannot learn it, and why the aesthetic critic can understand it.
For a courageous man cannot die dishonorably, a man who has attained the consulship cannot die before his time, a philosopher cannot die wretchedly.
The man of decision cannot be stopped! The man of indecision cannot be started! Take your own choice.
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