A Quote by Diane Ackerman
An occasion, catalyst, or tripwire?permits the poet to reach into herself and haul up whatever nugget of the human condition distracts her at the moment, something that can't be reached in any other way.
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The nuclear family must be destroyed, and people must find better ways of living together.... Whatever its ultimate meaning, the break-up of families now is an objectively revolutionary process.... No woman should have to deny herself any opportunities because of her special responsibilities to her children... Families will be finally destroyed only when a revolutionary social and economic organization permits people's needs for love and security to be met in ways that do not impose divisions of labor, or any external roles, at all.
Good science and good art are always about a condition of awe. I don't think there is any other function for the poet or the scientist in the human tribe but the astonishment of the soul.
The most important thing will be when we actually stop talking about sexual orientation. The moment we reach that point when that is not important any more, we've reached a big goal which is a long way in front of us.
Whatever your supposed politics are - left, right - if you put it in a human connection, most people will rise to the occasion and feel the human pain in a way that they might not if it was presented in a more conceptual way.
Loneliness is necessary for pure poetry. When someone intrudes into the poet's life (and any sudden personal contact, whether in the bed or in the heart, is an intrusion) the poet loses his or her balance for a moment, slips into being what he or she is, uses his or her poetry as one would use money or sympathy. The person who writes the poetry emerges, tentatively, like a hermit crab from a conch shell. The poet, for that instant, ceases to be a dead person.
More than any other poet, Whitman is what we make him; more than any other poet, his greatest value is in what he suggests and implies rather than in what he portrays, and more than any other poet must he wait to be understood by the growth of the taste of himself.
In her inestimable audacity, Julia was the catalyst in my life for something beautiful. I hadn't anticipated her-hadn't even wanted her, truthfully-but there she was. A little something extra that made all the difference in the world.
Genius in the poet, like the nomad of Arabia, ever a wanderer, still ever makes a home where the well or the palm-tree invites it to pitch the tent. Perpetually passing out of himself and his own positive circumstantial condition of being into other hearts and into other conditions, the poet obtains his knowledge of human life by transporting his own life into the lives of others.
They'd had fun, for sure. They laughed and enjoyed being together. But if she was painfully honest with herself, something was missing. Something in the way Tim looked at her. She remembered her mom's word. "I saw the way he looked at you...he adores you." Maybe that was it. Tim looked at her on a surface level. He smiled and seemed happy to see her. But When Cody looked at her, there were no layers left, nothing her didn't reveal, nothing he couldn't see. He didn't really look at her so much as he looked into her. To the deepest, most real places in her heart and soul.
Lara Croft is completely different; the way she does the action scenes and maintains her body in perfect condition... I can't compete with her in any way.
Harriet Levin [is] a shining poet in her generation.... The dynamics of her language and her vigorous voice distinguish all her poems. Levin's fearless willingness to tackle any subject combines with her subtle intelligence to produce a rare reading experience, the moving, psychologically sophisticated and intriguing work of a poet with both guts and craft
People probably long for something genuinely personal in a society where the personal is often indistinguishable from the "personalized." Maybe the poetry audience member is searching for his or her own "personal space" and they expect the poet to be a sort of avatar of the private life. But that sort of representation is distasteful to me. Asking a poet to represent the personal life is, paradoxically, to turn the poet into something other than a person.
It did no good to cry, she had learned that early on. She had also learned that every time she tried to make someone aware of something in her life, the situation just got worse. Consequently it was up to her to solve her problems by herself, using whatever methods she deemed necessary.
I reached in experience the nirvana which is unborn, unrivalled, secure from attachment, undecaying and unstained. This condition is indeed reached by me which is deep, difficult to see, difficult to understand, tranquil, excellent, beyond the reach of mere logic, subtle, and to be realized only by the wise.
When Drustan reached the bottom step, she flung herself into his arms. He swung her up into his embrace and kissed her hungrily. By the time he'd finished, she was gasping for air and laughing. "My turn?" Dageus teased.
in addition to the conditions under which life is given to man on earth, and partly out of them, men constantly create their own, self-made conditions, which, their human origins notwithstanding, possess the same conditioning power as natural things. whatever touches or enters into a sustained relationship with human life immediately assumes the character of a condition of human existence. this is why men, no matter what they do, are always conditioned beings. whatever enters the human world of its own accord or is drawn into it by human effort becomes part of the human condition.
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