A Quote by Diane Guerrero

All of the characters on 'Doom Patrol' explore traumatic pasts, how to deal with those pasts, and how that affects their present and their future. — © Diane Guerrero
All of the characters on 'Doom Patrol' explore traumatic pasts, how to deal with those pasts, and how that affects their present and their future.
The faculty of memory cannot be separated from the imagination. They go hand in hand. To one degree or another, we all invent our personal pasts. And for most of us those pasts are built from emotionally colored memories.
Some of my best friends here in New York have pasts I have a hard time reconciling with the people I'm close to now. But I wouldn't change them - or their pasts - for anything in the world. Their experiences are what made them the people they are today.
I love characters who are kind of haunted by their pasts, who struggle on despite their flaws, knowing that, at the end of the day, they're not going to shuffle off to those pearly gates.
The future is more beautiful than all the pasts.
Fantasy is, at its best, the purest access to storytelling that we have. It universalizes a tale, it evokes wonder and timeless narrative power, it touches upon inner journeys, it illuminates our collective and individual pasts, throws a focus beam on the present day, and presages the dangers and promises of the future.
New York has never learnt the art of growing old by playing on all its pasts. Its present invents itself, from hour to hour, in the act of throwing away its previous accomplishments and challenging the future. A city composed of paroxysmal places in monumental reliefs.
Some people are haunted by their pasts, but not my family. I mean, how can you be haunted by something that never really dies?
The images of his infinite pasts and infinite futures washed over him as he waited, paralyzed, in the present.
For anyone to understand a regime like the GDR, the stories of ordinary people must be told. Not just the activists or the famous writers. You have to look at how normal people manage with such things in their pasts.
Only in retrospect can I find clues to my father's gayness. Sometimes the dull detritus of our pasts become glaring strands once you realize they form a pattern, a lighted path to the present.
That's why we have memory. And the opposite of memory— hope. So things that are gone can still matter. So we can built off our pasts and make future.
I think their pasts are treated with a voice that sees their role as those of innocents. That's reflected in the past time sequences. They're less "written."
That's what's great about the Batman universe. When you explore Gotham, when you explore the villains, all of them point to this one character. This iconic American symbol for how we deal with pain and loss and how we move forward after it.
So here is why I write what I do: We all have futures. We all have pasts. We all have stories. And we all, every single one of us, no matter who we are and no matter what’s been taken from us or what poison we’ve internalized or how hard we’ve had to work to expel it – – we all get to dream.
Look around at the countries of Europe, and you'll find that practically all of them have pasts that are just as tragic as Ireland's, yet the people seem able to find some creative way at moving into the future.
Studying acting has been personally enriching because it has taught me to take the time to imagine what someone else's life experience might be like. To look deeply at how our pasts and the circumstances of our early childhoods mold us as people.
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