A Quote by Diane Lane
Americans have an interesting conundrum, a black and white line: You're on one side or the other of Puritanism or licentiousness. But that gray area where people abide, between their ears or on the Internet, needs to be fleshed out more in terms of permission granted. I think a lot of women are contained within the parentheses of shoulds and role-play. It's all about entitlement and history. It's all about upper-body strength - and exacting your will.
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Americans have an interesting conundrum, a black and white line: You're on one side or the other of Puritanism or licentiousness. But that gray area where people abide, between their ears or on the Internet, needs to be fleshed out more in terms of permission granted.
I’m sure there’s some self-help cheese-ball book about the gray area, but I’ve been having this conversation with my friends who are all about the same age and I’m saying, ‘Y’know, life doesn’t happen in black and white.’ The gray area is where you become an adult the medium temperature, the gray area, the place between black and white. That’s the place where life happens.
Historically and culturally the Mongol women were very strong, they contributed as much as the men to their society, their community. Other than upper body strength, I think they were equal to the men. To compensate for the lesser upper body strength they had to be smarter, they had to think more, they had to consider things more carefully.
I try to write about real women, real people - in other words flawed characters. I find flawed characters much more interesting than perfect ones and enjoy the challenge of making readers root for them in spite of their unsympathetic path and destructive choices. Life is about the gray areas. Things are seldom black and white, even when we wish they were and think they should be, and I like exploring this nuanced terrain.
Sometimes even when the book is over I don't know who's good and who's bad. It's really more interesting, I think, to write about gray characters than it is to write about black and white.
There's always the question of what is good and evil and the gray area in between where that most people live. In everyday life, things aren't black or white, but rather there's a lot of coping and really tough decision making.
A lot of racism going on in the world right now. Who's more racist? Black people or white people? Black people. You know why? 'Cuz we hate black people too! Everything white people don't like about black people, black people really don't like about black people.
I think the play offers (white Americans) a different way to look at black Americans For instance, in 'Fences' they see a garbageman, a person they don't really look at, although they see a garbageman every day. By looking at Troy's life, white people find out that the content of this black garbageman's life is affected by the same things- love, honor, beauty, betrayal, duty. Recognizing that these things are as much part of his life as theirs can affect how they think about and deal with black people in their lives.
Sometimes even when the book is over I dont know whos good and whos bad. Its really more interesting, I think, to write about gray characters than it is to write about black and white.
I believe I live in a black and white. I think things are like either black or white. I don't really believe that much in the gray. I think that there's gray for a lot of people, but I don't live in the gray. I realize whatever action I have or take, it's going to have a consequence -- either good or bad. So I live my life in a way where I don't have bad consequences. I just notice there's a lot people around me just live in the gray. I don't know, for me, I'm just really straightforward.
I think the fun thing about this franchise [Planet of Apes], as storytellers, is that a lot of the franchises are very black and white. This is all about the gray areas; it's really about the nature.
Looking back on the long-stretched-out body of one's work, it is interesting to mark the endless duel fought within a man between the emotional and critical sides of his nature, first one, then the other, getting the upper hand, and too seldom fusing till the result has the mellowness of full achievement. One can even tell the nature of one's readers, by their preference for the work which reveals more of this side than of that.
You can't have anything valuable in your house. Niggers will break in and take it all! Everything white people don't like about black people, black people don't like about black people. It's like our own personal civil war. On one side, there's black people. On the other, you've got niggers. The niggers have got to go. I love black people, but I hate niggers. I am tired of niggers. Tired, tired, tired.
No other group in America has so had their identity socialized out of existence as have black women... When black people are talked about the focus tends to be on black men; and when women are talked about the focus tends to be on white women.
White people's fear of Black people with guns will never cease to amaze me. Probably it's because they think about what they would do were they in our place. Especially the police, who have done so much dirt to Black people - their guilty conscience tells them to be afraid. When Black people seriously organize and take up arms to fight for our liberation, there will be a lot of white people who will drop dead from no other reason than their own guilt and fear.
All of the films that I've made are about the country I live in and grew up in... And I think if you're going to put an artist's eye to it, you're going to put a critical eye to it. I've always been interested in the gray area that exists between the black and white, or the red and blue, and that's where complexity lies.
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