A Quote by Diamond Dallas Page
When you become a wrestler at 35 and your career takes off at 40, nobody believes in you. But there are some people out there who watch how I did it, and I did it through intense work ethic.
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One thing I did inject was a different work ethic: Guys, no, we don't rehearse once or twice a month, we rehearse every day after work and on weekends, and that's how we're gonna get better. And everybody adopted that work ethic, and it did pay off.
I did a track with Khao, out of Atlanta, who's worked with T.I. Did a track with Maylay, who did a lot with John Legend's album. I got in the studio with Kanye West; we did a song. The dedication for the career takes a lot of work, but if you love it, it's worth it.
I'm always happy to talk to somebody; it's flattering that people remember your movies. Especially some movie that you did, for Christ's sake, almost 35 years ago, or what's especially pleasant is if you're talking about some movie that you did 35 years ago and they're 20 years old.
Even in this case, whatever it is, it's about [Barack] Obama. "How did Obama do at the memorial? Did Obama come off well? Will Obama's poll numbers go up? Did he really reach people?" The hell that there are 53 people dead. Nobody cares about them, like nobody cared about the four dead in Benghazi. All the media cared about, how did Obama do?
How then did it work out, all this? How did one judge people, think of them? How did one add up this and that and conclude that it is liking one felt, or disliking?
The advise my dad gave me: "To know is to study." Get some training under your belt, so that nobody what somebody asks you to do, you know how to handle it accordingly. I learned so much while working, because I developed a solid work ethic in school. Whereas, a lot of my friends had no work ethic; and because of that, they're sitting at home today.
Usually, when people watch magic, there are two levels: the people who walk away accepting that there are things they don't know, and the other group, who wants to know, 'How did it work? How did that happen?' They want to unravel the puzzle.
I started wrestling when I was 35, but my career didn't take off until I was 40.
We stand there, quiet. My questions all seem wrong: How did you get so old? Was it all at once, in a day, or did you peter out bit by bit? When did you stop having parties? Did everyone else get old too, or was it just you? Are other people still here, hiding in the palm trees or holding their breath underwater? When did you last swim your laps? Do your bones hurt? Did you know this was coming and hide that you knew, or did it ambush you from behind?
I don't really have a career as a jazz musician. I don't really have a career as a classical musician. I don't really have a career as a college professor, and yet I did all those things and I did them well. I put out some records in the 1980's and 1990's that changed the way some trumpet players played.
It gets super dark. I did a bunch of intense indie movies when I was starting out in my career and I was always in a bad mood because, when you're dealing with the subject matter of losing your baby, getting raped and all that stuff, it's not fun to go through. You really have to go there.
He glanced back at the wall. How like a mirror, too, her face. Impossible; for how many people did you know who reflected your own light to you? People were more often--he searched for a simile, found one in his work--torches, blazing away until they whiffed out. How rarely did other people's faces take of you and throw back to you your own expression, your own innermost trembling thought?
I would say that nobody is going to work harder for your career than yourself - the one with the vision. No matter how many people you hire, nobody is going to get is as much as yourself does. So it's really important to be your own leader at all times and not hand it all off, otherwise the whole empire will fall apart.
I'm a dreamer. I watch people. You don't try to become them because you could never become any of those guys. But you hope that some of it, you know, comes off on you at some point in your show, some point in your writing, that it happens to you and this light just shines on you.
To maintain a consistency when people come to see the band takes a lot of work; it takes a lot of discipline. I go to the studio every day and sing and play. I never did that when I was, like, 30. I'd probably have a drink and walk on - and see what comes out. But now if there's ten albums' worth of material people are coming to hear some of, and they've paid money for a ticket, you become a different person when you go on and you want to give the best show you can. You want to be better at what you do.
In some ways for many years I was off the hook.When my niece was born after that their attention was focused on that and she did that. You know, that was in our family that's what she did. I went off and chased this dream and this career that very other few people in our, you know, in my family, but even culturally were doing.
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