A Quote by Dionne Warwick
I was born into a family of gospel singers. My early ambitions were many. I was going to be a ballerina. I almost had that one come true until I tore a tendon, so I transferred from my toes to my throat and that's where the talent settled.
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I lived in San Jose for a little bit, and one of my neighbors was Vietnamese and was teasing me. I said "I've had pho," and then he goes, "Oh, what do you get, the number one big bowl?" I was like, "Come on, man. You don't have to come at me like that." But yeah, I've tried tendon. Tendon eventually yields.
Stars, too, were time travelers. How many of these ancient points of light were the last echoes of suns now dead? How many had been born but their light not yet come this far? If all the suns but ours collapsed tonight, how many lifetimes would it take us to realize that we were alone? I had always known the sky was full of mysteries - but not until now had I realized how full of them the earth was.
I tore my Achilles' tendon in September 2005.
Shortly after I was born he emigrated to Durban, where members of my mother's family had settled at the turn of the century, and the rest of the family followed soon thereafter.
I tore my right shoulder to pieces - three external tears, a labrum tear, and a detachment of the bicep tendon.
My grandfather was born in Mexico. And when he was a young man, he crossed the Rio Grande. After that, he served in our military and became a U.S. citizen. He ended up in Las Cruces, New Mexico, and that's where my father was born. That was the beginning of my Mexican-American family, where they settled in Las Vegas in the early 1940s.
I went out on the road when I was 12 years old, playing with the Sullivan Family Gospel Singers. That was the summer of 1972. We played Pentecostal churches, camp meetings, George Wallace campaign rallies and bluegrass festivals. As a kid, I had grown up watching quartets that were very entertaining.
I had been walking in silence for so long,I had almost forgotten what my own voice sounded like.My knees were tired;my toes were beginning to ache.
I didn't realize I could sing until I served someone tea at a cafe my parents owned in north west London, where we had settled as a family, after moving from Jamaica when I was 11. I was harmonizing to a track on the jukebox and a man asked me how I managed to do it so well. He recommended me to a talent agent.
There is a lot of propaganda about opera singers not being able to act. That's not necessarily true and hasn't been true for a very long time. And certainly there were those instances when singers were told they need to fit into a certain size dress. Of course, women. Men? They just make the costume bigger.
You have singers that are trained, and then you have natural singers: people that, in my opinion, were just born to sing. And hopefully, I am one of them.
Obviously, everyone's journey is different, and we all have different ambitions and beliefs as kids as to whether we're actually going to be able to play in a World Cup and whether it can be a dream that can come true. For me and for my family, it's very surreal.
I feel almost as if I had been born in a vacuum of innocence, and then had to come to terms with the fact that actually, I was born into the middle of history - the rather grimy normality of the 70s, which did, indeed, retain some traces of human innocence, but were also girded about by the demons of experience.
I think we did our first session in 1958. There were no black background singers - there were only white singers. They weren't even called background singers; they were just called singers. I don't know who gave us the name 'background singers,' but I think that came about when The Blossoms started doing background.
The Bumpuses were so low down on the evolutionary totem pole that they weren't even included in Darwin's famous family tree. They had inbred and ingrown and finally emerged from the Kentucky hills like some remnant of Attila the Hung's barbarian horde. Flick said that they had webbed feet and only three toes. It might have been true.
I always looked at the process and the career of being a ballerina as sacred. It's a true gift to have this talent and perform these masterworks; it's sublime.
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