A Quote by Dalai Lama

Not to identify oneself with something, or to associate things with the 'me,' and to see that the idea that there is a 'me,' which is distinct from things, is a delusion.
Titian, Tintoretto, and Paul Veronese absolutely enchanted me, for they took away all sense of subject... It was the poetry of color which I felt, procreative in its nature, giving birth to a thousand things which the eye cannot see, and distinct from their cause.
I didn't see [Luigi St. Omer] as a teacher. I saw him as a comrade I respected and I could go to see anytime something was bothering me. He was indeed my "big brother". He praised me when I did something exceptional and scolded me when I did things which were out of the way.
I do not deny God, because that word conveys to me no idea, and I cannot deny that which presents to me no distinct affirmation, and of which the would-be affirmer has no conception. I cannot war with a nonentity. If, however, God is affirmed to represent an existence which is distinct from the existence of which I am a mode, and which it is alleged is not the noumenon of which the word I represents only a speciality of phenomena, then I deny God, and affirm that it is impossible God can be.
I'd really like people to see me as a real actress, which I am, but they don't. It's hard to get them to see me as a musician, they just see me as a hanger-on to the Stones, which is not what I am at all. It's a good idea, and if something like that would turn up I could do a whole television show. I've thought about playing a landlady, sort of a mad '60s lady, this absolutely insane character. I would love it. It's a great idea.
The ways in which things are superficially similar but also distinct is interesting to me.
This is the path of prayer-contemplative prayer, that is, as distinct from simple prayers of supplication and thanksgiving-which is a specific discipline of thought, desire, and action, one that frees the mind from habitual prejudices and appetites, and allows it to dwell in the gratuity and glory of all things. As an old monk on Mount Athos once told me, contemplative prayer is the art of seeing reality as it truly is; and, if one has not yet acquired the ability to see God in all things, one should not imagine that one will be able to see God in himself.
There are so many factors that go into how you feel, as a performer, on any given movie, that it's really hard to identify which things are the things that help you be good, and which are the things that hinder you.
I do not deny "God", because that word conveys to me no idea, and I cannot deny that which presents to me no distinct affirmation, and of which the would-be affirmer has no conception.
I'm continually wrestling with the idea that there are certain things in this world that simply don't fit. The idea that I have this longing for beauty and truth, and yet I'm also attracted to things that are very dark the lies that exist within me and outside of me.
I think Robert Altman could see things in me that I didn't know I possessed, which is really exciting. He also instilled a tremendous amount of confidence, because he would say things like, "These are the bare bones, but I want you to go fill it out. You find the character. You bring it to me. You write whatever you want." And if you had an idea, he wouldn't want to hear about it. He's want you to show it to him.
If I do something for a public space, it's not something that I have in my head and go, "Oh that's a good location. I should put it here." That for me never exists. When I see the site, then I have an idea that is new and I would never do unless it's there. It's the space or the people there, which will give me the idea.
You're always choosing the start point and the end point. And almost by definition, the most interesting period is where something happens, as a result of which something is different at the end. And so to me, the idea that you know everything about a character at the beginning is sort of ridiculous. Something has to be revealed. I like it when the deeper you go with the character, the more you see the layers start to peel away. It's more challenging to me, but it's also just interesting. Those are the things I like to watch. I like to watch the evolutions of something.
I'm black, and he's said some controversial stuff about black people. When it comes to me not supporting Donald Trump, it's correlated to the things he has said. I have a gay uncle. All the things he said in his campaign are things I can't associate myself with.
I'm wired with a little bit of self-loathing, not that kind of self-loathing that paralyzes me, but it's there. The things I'm most loved for are sometimes the things that annoy me, not my favorite stuff, but those flashes of genius moments, they're called, I rarely see them as a one eureka light bulb idea.
The truly apocalyptic view of the world is that things do not repeat themselves. It isn't absurd, e.g., to believe that the age of science and technology is the beginning of the end for humanity; that the idea of great progress is delusion, along with the idea that the truth will ultimately be known; that there is nothing good or desirable about scientific knowledge and that mankind, in seeking it, is falling into a trap. It is by no means obvious that this is not how things are.
Generally, I don't want to do things. I feel lazy and unmotivated. It's only when an idea grabs hold of me and I can't get rid of it, when I try not to think about it and yet it's ambushing me all the time. I'm thrown up against a wall. The idea is saying to me, "You have to pay attention to me because I am going to be the future of your life for the next year or two or five." Then I submit. I get into it. It's something that becomes so necessary to me that I can't live without doing that project.
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