A Quote by Dana Gioia

Everyone enjoys stories of double lives and secret identities. Children have Superman; intellectuals have Wallace Stevens. — © Dana Gioia
Everyone enjoys stories of double lives and secret identities. Children have Superman; intellectuals have Wallace Stevens.
I was influenced by the Beats because I actually just began to commit adolescence around 1955, when "Howl" and Rebel Without a Cause and a lot of other new things were popping up. (Again I'm trying to give you a finite version of this career.) And then I came under the sway of Wallace Stevens when I was in college and graduate school, and basically set as a life goal the ambition of writing third-rate Wallace Stevens. I thought I would be completely content if I was recognized at some later point in my life as a third-rate Wallace Stevens.
Superman told me... that we needed to make a double... type of record... and so I answered: 'Okay, Superman. We will make... a double type of record but it won't be a double album because... Batman... didn't want a double album'
I turn now not to the Bible but to Wallace Stevens.
Wallace Stevens: the Platonist celebrates endless change, but with regret.
Wallace Stevens had more time to write as an insurance agent. He was a bond lawyer and I know that insurance company lawyers don't have to do nearly as much as we had to do. We were out more in the production area. I'm not condemning Stevens for having had a better job than I did, but that's one of the many places where I differ from him.
Wallace and Gromit's Children's Charity does a fantastic job, raising funds to improve the lives of sick children in hospitals and hospices throughout the U.K.
When I first heard Wallace Stevens' voice, it was by chance: a friend wanted to listen to the recording he had made for the Harvard Vocarium Series.
When I first heard Wallace Stevens voice, it was by chance: a friend wanted to listen to the recording he had made for the Harvard Vocarium Series.
I admire the poetic relationship to place as enacted in Wallace Stevens' poems; his poetics strikes me as an argument against the restraints of realism.
Any superhero, regardless of how different they are from Superman, recalls Superman in some way. They're either pushing against Superman or reflecting Superman; there's something about them that comes from Superman.
A Cat Stevens record isn't just Cat Stevens' ideas. It's Cat Stevens and all the musicians who play with Cat Stevens, right?
Our artistic heroes tend to be those self-exercisers, like Picasso, and Nabokov, and Wallace Stevens, who rather defiantly kept playing past dark.
I like what Wallace Stevens said: "Poetry must almost successfully resist intelligence." I just change the word "poetry" to "my photographs".
I am completing a book I began back in 2002 called 'Poems in the Manner of.' 'The Matador of Metaphor' is from this manuscript. It is an homage to Wallace Stevens that appropriates certain of his techniques.
A false identity is any lie that contradicts our God-given identities through Scripture. These false identities can be created by ourselves because of sin in our lives, choices made, or wrong turns taken and the regret, guilt, and shame that follows. Other false identities are handed to us by outside sources, maybe a damaging word spoken to us by someone or a childhood of abuse. However, not all false identities are negative on the surface, such as successful, attractive, wealthy, athletic, or talented. But even those identities can become false when we place too much of our weight on them.
I believe that if a child has a feel for writing and wants to write, there is an audience. Children should just dive in and go at it. I would encourage children to write about themselves and things that are happening to them. It is a lot easier and they know the subject better if they use something out of their everyday lives as an inspiration. Read stories, listen to stories, to develop an understanding of what stories are all about.
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