A Quote by Daniil Kharms
One must write poetry in such as way that if one threw the poem in a window, the pane would break.
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Poetry is poetry. My process is I try to write the best poem I can, in the best way to communicate whatever it is the poem is trying to communicate, and then I try to figure out the best way to present that poem to a live audience. It's all craft, just different stages of craft.
I have experienced healing through other writers' poetry, but there's no way I can sit down to write in the hope a poem will have healing potential. If I do, I'll write a bad poem.
I would read the Shel Silverstein poems, Dr. Seuss, and I noticed early on that poetry was something that just stuck in my head and I was replaying those rhymes and try to think of my own. In English, the only thing I wanted to do was poetry and all the other kids were like, "Oh, man. We have to write poems again?" and I would have a three-page long poem. I won a national poetry contest when I was in fourth grade for a poem called "Monster In My Closet.
Often when I write poetry I don't quite know what I'm saying myself. I mean, I can't restate the poem. The meaning of the poem is the poem.
That's one of those questions that would just love to have a pat answer. You know, poetry's job is to make us feel good. Poetry exists to allow us to express our innermost feelings. There isn't one role for poetry in society. There are many roles for poetry. I wrote a poem to seduce my wife. I wrote a poem when I asked her to marry me. Poetry got me laid. Poetry got me married.
Italian is a very different poetic situation and there are these hard and fast rhythmic periods, settenari, ottonari of seven and eight syllables. These are fundamental to the way people speak and write and breaking them is more radical in Italian than when we break a line. I'm sure there are Italian poets who want to write poetry as prose and break these Petrarchan rules. And breaking them is fun and a valid thing to do. But I'm more interested in trying to write poetry that absorbs tradition and uses it in new ways, and doesn't throw it out.
Truly fine poetry must be read aloud. A good poem does not allow itself to be read in a low voice or silently. If we can read it silently, it is not a valid poem: a poem demands pronunciation. Poetry always remembers that it was an oral art before it was a written art. It remembers that it was first song.
But you lied again. Now you get to watch her leave out the window. Guess that's why they call it 'window pane.
Are we not wasps who spend all day in a fruitless attempt to traverse a window-pane - while the other half of the window is wide open?
The first thing I tried to do in the months after losing my mother was to write a poem. I found myself turning to poetry in the way so many people do - to make sense of losses. And I wrote pretty bad poems about it. But it did feel that the poem was the only place that could hold this grief.
If I were to agree to write the music for your beautiful poem, it would tie your poem up for some years as I have agreements and obligations which I must respect.
I write the occasional poem. I think my dabbling in poetry makes me better at screenplays. Poetry teaches the value of condensing, the importance of talking in a few words.
Shaw...has a woman ever asked you to write a poem for her?" "Good God, no," Gideon replied with a snicker. "Shaws don't write poetry. They pay others to write it for them and then take the credit for it.
Our dream dashes itself against the great mystery like a wasp against a window pane. Less merciful than man, God never opens the window.
A successful poem says what a poet wants to say, and more, with particular finality. The remarks he makes about his poems are incidental when the poem is good, or embarrassing or absurd when it is bad and he is not permitted to say how the good poem is good, and may never know how the bad poem is bad. It is better to write about other people's poetry.
I loathe the trivialization of poetry that happens in creative writing classes. Teachers set exercises to stimulate subject matter: Write a poem about an imaginary landscape with real people in it. Write about a place your parents lived in before you were born. We have enough terrible poetry around without encouraging more of it.
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