A Quote by Daniel Negreanu

Playing correctly from the small blind can be frustrating and confusing. On the one hand, you already have half the bet in the pot, which should entice you to play more hands. On the other, you'll have to play out of position on every street, which suggests that you should actually play fewer hands.
The best advice when playing from the small blind is to mix up your play. The general rules are to fold garbage hands, limp with marginal hands, and raise with hands that are strong enough to play big pots with. Don't allow your opponents, however, to pick up patterns in your play.
The secret behind playing small ball poker isn't so much in the hands you choose to play. It's more about the amount you choose to bet with the hands you end up playing.
My number one tip is always to play tight. From my experience, most new players play about 80% of the hands they are dealt in Texas Hold 'em. In fact, the reverse should be the case: they should only play about 20% of them!
I'd love to play in a Red Sox game. It would be so awesome to actually walk out on the field and play, just for one inning. I'd also steal everything I could get my hands on in the clubhouse, which is why they won't let me do it.
When I was a little bitty kid, my aunt showed me how to play a little boogie. It took me years. I had to play the left-hand part with two hands, because my hands was so little. Then as I grew up and I learned how to play the left-hand part with one hand, she showed me how to play the right-hand part, and et cetera. My Uncle Joe showed me how to play a little bit different boogie stuff. I had people in my family that was professional musicians, but I just wasn't interested in what they did. I wasn't very open-minded to a lot of music that I'd be more open to today.
Every time I have the ball in my hands, which is every play, I feel I'm the best player on the team. That's just my mentality. I'm not saying that in a cocky way, but everybody should have that mentality when they step on that field.
When covering the man with the ball, the defense should be able to touch the ball with his hand. He should assume this touching position as the ball is being received. When the ball is received, the defense should discourage the pass into the post area. The hands should be kept up. Keeping the hands up reduces a tendency to foul and allows a player to move his hands quickly.
Every player, they should sit down and have a meeting. They should agree, 'this is how we play Nadal, this is how we play Federer, this is how we play Djokovic.' Then, all try to play them the same way. The right way. First you have to play the right way, then you need to play well.
You can batter your guitar, and it won't distort too much, which is important for me because I play with my hands a lot - I don't really play with picks.
Blind stealing is not exclusive to late position play. You can steal blinds from any position, and you should!
[on playing Walter] It was wonderful to be able to play a character who had so many colors and who was able to play comedy, to play incredibly vulnerable, which he did a lot of the time, to play the love story, and to play the relationship with the son, which is quite unusual. That's a gift to me, as an actor. It was like everything you could possibly hope for, over five years. So, I was a very lucky actor.
My memory is certainly in my hands. I can remember things only if I have a pencil and I can write with it and I can play with it. ... I think your hand concentrates for you. I don't know why it should be so.
I like that the pitcher hits. I think that my feeling is that everybody should play a position. In order to hit, you have to play a position. That's just my view of it. I feel that's more baseball, and the games are managed different. I enjoy the National League, how it's played.
In poker, position is power. When you've got position, play more hands and apply more pressure before the flop.
It was wonderful to be able to play a character who had so many colors and who was able to play comedy, to play incredibly vulnerable, which he did a lot of the time, to play the love story, and to play the relationship with the son, which is quite unusual. That's a gift to me, as an actor.
If I have the ball in my hands, I'll make a play. If don't, I'll try to get in position to make a play. I think that's what it comes down to.
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