A Quote by Dante Alighieri
There sighs, lamentations and loud wailings resounded through the starless air, so that at first it made me weep; strange tongues, horrible language, words of pain, tones of anger, voices loud and hoarse, and with these the sound of hands, made a tumult which is whirling through that air forever dark, and sand eddies in a whirlwind.
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And when he had put his hand on mine with a cheerful look, wherefrom I took courage, he brought me within to the secret things. Here sighs, laments, and deep wailings were resounding through the starless air; wherefore at first I wept thereat. Strange tongues, horrible utterances, words of woe, accents of anger, voices high and faint, and sounds of hands with them, were making a tumult which whirls always in that air forever dark, like the sand when the whirlwind breathes.
Through all he said, even through his appalling sentimentality, I was reminded of something-an elusive rhythm, a fragment of lost words, that I heard somewhere a long time ago. For a moment a phrase tried to take shape in my mouth and my lips parted like a dumb man's, as though there was more struggling upon them than a wisp of startled air. But they made no sound and what I had almost remembered was uncommunicable forever.
Wide open and unguarded stand our gates, and through them presses a wild motley throng, men from the Volga and the Tartar steppes, featureless figures of the Hoang-Ho, Malayan, Scythian, Teuton, Kelt, and Slav. Flying the Old World's poverty and scorn, these bringing with them unknown gods and rites, Ttose, tiger passions, here to stretch their claws in street and alley. What strange tongues are loud accents of menace alien to our air, voices that once the Tower of Babel knew! O Liberty, white Goddess! Is it well to leave the gates unguarded?
I drove off, with my friends watching me go, all of them grouped on Lissa's hood. As I pulled onto the road, I glanced into the rearview and saw them: they were waving, hands moving through the air, their voices loud, calling out after me. The square of that mirror was like a frame, holding this picture of them saying good-bye, pushing me forward, before shifting gently out of sight, inch by fluid inch, as I turned away.
The trees change their voices in autumn as well as their shapes. No longer do they whisper to one another in muffled tones as they did in summer; they talk in a different leaf-language now. The wind moves through the boughs like fingers drawn across the strings of a harp filling the air with the harsh dry sound of sapless leaves. It is the main theme of the autumn music, this murmuring counterpoint of dead leaves.
There was no air; only the dead, still night fired by the dog days of August. Not a breath. I had to suck in the same air I exhaled, cupping it in my hands before it escaped. I felt it, in and out, less each time…until it was so thin it slipped through my fingers forever. I mean, forever.
Outside the trees dragged their leaves like nets through the depths of the air; the sound of water was in the room and through the waves came the voices of birds singing.
Like, when they say to me, 'Screamin' A.' - I'm the only dude on the air who's loud? I know plenty of white dudes who are screaming and going off. They're called passionate. I'm called loud.
You ask me where I get my ideas. That I cannot tell you with certainty. They come unsummoned, directly, indirectly - I could seize them with my hands - out in the open air, in the woods, while walking, in the silence of the nights, at dawn, excited by moods which are translated by the poet into words, by me into tones that sound and roar and storm about me till I have set them down in notes.
It doesn't matter if you and everyone else in the room are thinking it. You don't say the words. Words are weapons. They blast big bloody holes in the world. And words are bricks. Say something out loud and it starts turning solid. Say it loud enough and it becomes a wall you can't get through.
Soun is noght but air ybroken, And every speche that is spoken, Loud or privee, foul or fair, In his substaunce is but air; For as flaumbe is but lighted smoke, Right so soun is air ybroke.
Literature exists inside the language. It's made of words. It's not made of ideas and it's not made of concepts, of psychological analysis. It's made of words. In the same way in which music is made of notes and a painting is made of lines of colors, the matter of literature are words.
Through primrose tufts, in that green bower,
The periwinkle trails its wreath;
And 'tis my faith that every flower
Enjoys the air it breathes.
The birds around me hopped and played,
Their thoughts I cannot measure;
But the least motion which they made,
It seemed a thrill of pleasure.
The budding twigs spread out their fan,
To catch the breezy air;
And I must think, do all I can
That there was pleasure there.
If this belief from heaven be sent,
If such be Nature's holy plan,
Have I not reason to lament
What man has made of man?
It was so loud and so deep, it wasn't really sound at all, just something that turned the air hard and then hit you with it.
I think that the line between television and features started to blur a couple years ago. The standards started to become the same, which is that the idea had to be very loud. The show didn't have to be loud; the idea had to be loud. It had to cut through the clutter.
Breathing is made up of two stages: inhaling, the intake of air, and exhaling, the letting out of air. The spiritual life is fed, nourished, by prayer and is expressed outwardly through mission: inhaling and exhaling. When we inhale, by prayer, we receive the fresh air of the Holy Spirit.
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