A Quote by Dante Hall
If I had the hand strength to sign autographs for everybody in Kansas City, I would... but its just impossible to get to everyone.
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I thought about that the other day after I went to the grocery store and had to sign fifteen autographs before leaving. On one hand, it's just so flattering. On the other hand, sometimes it would be nice to get the bread and leave, you know?
The sign of vigour, the sign of life, the sign of hope, the sign of health, the sign of everything that is good, is strength. As long as the body lives, there must be strength in the body, strength in the mind, [and strength] in the hand.
I speak to everybody. I'm one of those kind of artists that I'm cool with everybody. If they [fans] want to meet me, it's cool. That's as far as it goes. But I'm the cool artist. I shake everybody's hand, try to sign all the autographs, take pictures when I can.
Kansas City, I would say, did more for jazz music, black music, than any other influence at all. Almost all their joints that they had there, they used black bands. Most musicians who amounted to anything, they would flock to Kansas City because that's the place where jobs were plentiful.
People's outlook on Kansas City is always like, 'They let you rap in K.C.?' Or 'How's Dorothy and Toto?' They put Kansas and Kansas City together, when it's really separate.
When I got interested in football, nobody was cheering for Kansas City. Kansas City was trash. I said, 'That's my team.' Then what happens? We get Joe Montana and Marcus Allen.
And Kansas City is at Chicago tonight, or is it Chicago at Kansas City? Well, no matter as Kansas City leads in the eighth 4 to 4.
I live in a little suburb close to Kansas City called Prairie Village, where there's a feeling of everybody knowing everybody else. I think the same thing is true of New York City, by the way.
I sign so many autographs, my hand hurts every day.
My hand still shakes when I sign autographs. I still go and sit in the movies like everyone else and look up there and go 'God! Movie stars! Wow!' And I'm in this business. I walk out there just fascinated, and I always want to stay like that. I'm just a little kid going to these movies, and I don't ever want to change.
I'm not here to perform. I'm here to sign autographs. You have to wait till I come back with my own hand.
You know, I don't turn down autographs. I try to sign as many autographs as I can.
Be strong! Don't talk of ghosts and devils. We are the living devils. The sign of life is strength and growth. The sign of death is weakness. Whatever is weak, avoid! It is death. If it is strength, go down into hell and get hold of it! There is salvation only for the brave. Everyone must work out his own salvation.
The first professional training I received of any kind was when I was 14 years old and we were in Kansas City, Missouri. I attended the Kansas City Art Institute for one summer.
I talked with Quentin about where the character came from, and he told me Kansas City. I don't know how somebody talks from Kansas City, so I made him from New York.
The Eternal Kansas City song came from a dream sequence. It was actually kind of weird. I had this dream about a Kansas City type of thing while I was up at Stevie Winwood's place near Cheltenham, in Britain. I went into this small town and I was walking along and this dream thing was still in my head.
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