A Quote by Dane Cook
There were times, earlier in my career, where I didn't have the wherewithal to self-edit, and I probably said things and pushed the limits to places where people might be put off. But that's truly part of developing as an artist.
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I don't believe anything is truly off limits, but as a performer, one has to know that people might be offended, and there are consequences.
The internationalization of art becomes a factor contributing to the estrangement of art from the artist. The sum of works of all times and places stands against him as an entity with objectives and values of its own. In turn, since becoming aware of the organized body of artworks as the obstacle to his own aesthetic self-affirmation, the artist is pushed toward anti-intellectualism and willful dismissal of the art of the past.
I think a lot of social media creators have always been, like, content and haven't pushed the limits because no one else had pushed the limits before. I say to myself, 'How can I create my own TV show online every day and actually make it a real production and put effort into it?'
There were actually times where I thought, 'Do people even remember us? Are people gonna be interested in hearing what we put out next?'And, you know, there were times I felt like, 'Are there going to be people out there waiting for this record?'. So we kind of live in a bubble, in a sense. We're very closed off to that whole world of thinking about those kinds of things.
People talk differently. You can say some things some places you can't say in other places. But me as a film maker, no words are ever going to be off limits in something I write. As long as people use the words, I'm going to report that.
People ask me, 'What happened in your life that might have pushed you as an artist to get to where you are today?' I always felt a little on the outside. And as such, you're always observing things. So, I'd be kind of re-creating these things in my mind, and I think drawing it was a way to deal with that.
Somewhere within all of us is a wordless center, a part of us that hopes to be immortal in some way, a part that has remained unchanged since we were children, the source of our strength and compassion. This faint confluence of the tangible and the spiritual is where Art comes from. It has no known limits, and once you tap into it you will realize what truly rich choices you have. May each painting you do from that sacred place include an expression of gratitude for the extraordinary privilege of being an artist.
For although a man is judged by his actions, by what he has said and done, a man judges himself by what he is willing to do, by what he might have said, or might have done—a judgment that is necessarily hampered, not only by the scope and limits of his imagination, but by the ever-changing measure of his doubt and self-esteem.
I don't plan in terms of career ambitions. The only career ambition I have is to work with people who are going to bring you up and elevate your performance. They'll let you know things that you didn't know already and bring you places that you might not have gotten to otherwise.
A lot of people these days are very much too wrapped up in cotton wool: people aren't pushed to their limits, and that's why we should find out where our limits lie.
I feel myself the inheritor of a great background of people. Just who, precisely, they were, I have never known. I might be part Negro, might be part Jew, part Muslim, part Irish. So I can't afford to be supercilious about any group of people because I may be that people.
I made a career goals list for 2017 and it's so funny. I have low self-esteem or something, so I put both wishes and goals. The goals were things I'm going to do anyway, because I have no choice because my job is to do stand-up comedy so I have to tour and I have to write stuff. The wishes were all things that could be goals. As in, I bet people who have achieved these things called them goals at one point. But I haven't looked at that piece of paper since.
Earlier in my career, I was much more super-sharey. There were moments when I wanted to process things that were happening to me more privately, and I didn't have the space to do it, because once you let people in, they're in, and you don't get to say, 'Oh, I want this for myself.'
Those were the places where many people mixed if they wanted to mix, which was against the law [Immorality Act of 1927]. My mother was part of that group. My father was part of that group. People who were black and whites and Indian and Asian - and you came together and said, we choose to mix at the risk of being arrested. And so they did.
I put off writing the first Left Behind book for a year because I got invited to assist Billy Graham in his memoirs, and had we known what we were putting off for a year, we might not have put it off.
So let me get this straight,” Carter said. “The two guys you liked—one who was dying and one who was off-limits because he’s a god—are now one guy, who isn’t dying and isn’t off-limits. And you’re complaining.
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