A Quote by D. B. Sweeney

The actors in 'Eight Men Out' really know how to play, and the background athletes are all professionals. — © D. B. Sweeney
The actors in 'Eight Men Out' really know how to play, and the background athletes are all professionals.
'Friends' is easy to dismiss, but it's really good television - the art with which those actors play with comedy shouldn't be denigrated. And they also know how to play irony, which I think a lot of English actors might find quite difficult.
I know a lot of athletes, they want to play until their 45 or 50 or whatever, some athletes claim, but count me out on that.
There's a reason that football players, that still choose to come over to train MMA. They're professional and phenomenal freak athletes and they know how to work as professional athletes. They know how to get better and know how to improve.
I love the communication aspect with my athletes. I like the one on one time with my athletes but really its about making them better athletes and finding out what makes them tick.
I have had the privilege of serving as city comptroller, and I lead 750 professionals in the office, have appointed eight deputy comptrollers... no one has criticized my management of these 750 professionals.
You know, it helps having an African American driver behind the wheel. I'm representing that culture and that background. But a lot of background pressure, I don't really put that on me. I know I have enough pressure to go out and perform every week.
When we reach the point where the women athletes are getting their pick of dates just as easily as the men athletes, then we've really and truly arrived. Parity at last!
Honestly, in retrospect, when I referred to the actors from 'Prince' as non-actors or non-professionals, it was actually a great disservice to them. The fact is that they are all actors and should be viewed that way by the industry. It was our casting process that was non-professional.
A lot of players know how to play the game, but they really don't know how to play the game, if you know what I mean. They can put the ball in the hoop, but I see things before they even happen. You know how a guy can make his team so much better? That's one thing I learned from watching Jordan.
Look, a lot of directors were actors, even if they were unsuccessful actors which I think is helpful. I think it's a really helpful thing for a director to have experienced that. It helps you know how to talk to actors and how to get what you need from them.
I am interested in writing how women really feel, how they really think, and how they respond to men. I don't want men reading my books because they might find out too much.
I think in general, people look at all Olympic athletes, look at all superstar athletes, and they say, "Okay, this guy doesn't have any insecurities." They're almost like these icons who - I don't know how to say it, but like they can't make mistakes. But the reality is, and I'll tell you this firsthand, a lot of great athletes have a lot of insecurities, and they have a really hard time dealing with a lot of so-called losing or however you want to classify it.
People have a different idea of how movies are made than they really are. On a certain level, everyone throws ideas into the hopper. It's not like the actors are wind-up dolls that you push out onto the floor, play with, then put back in the box. You get people around you who you trust; the writer, the producer, the director and all the actors all contribute.
Someone taught us how to craft a resume, what to wear to a job interview and not to put our elbows on the table. Athletes also must be trained as professionals. Their livelihoods depend on it.
I started out as a writer and a director. I started acting because I wanted to know how to relate to the actors. When people ask me what I do, I don't really say that I'm an actor, because actors often wait for someone to give them roles.
Working with actors really depends on the actor. Most of the directors I've worked with don't really know how to speak to actors, actually; some of the best directors don't.
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