A Quote by Deandre Ayton

I was the kid in basketball camps wanting to see the new gear that comes out or the gear that the camps give. — © Deandre Ayton
I was the kid in basketball camps wanting to see the new gear that comes out or the gear that the camps give.
My whole life I've always innovated the gear to match my pursuits. I've innovated the best climbing gear, the best slacklining gear, and definitely the most advanced BASE jumping gear.
Change gear, change gear, check mirror, murder a prostitute, change gear, change gear, murder. That's a lot of effort in a day.
I have limited interests. I really like all sorts of gear. Guitar gear. Recording gear. Stuff like that. I like music, you know.
The thing about World War II is that everyone knows about the concentration camps in Europe - in Nazi Germany and Poland and Auschwitz and the other camps - but, no one really talks about the camps that were here in the United States.
I wanted to be like Juwan Howard, whose basketball camp I went to as kid for six years. Those camps meant everything to me and my friends. We'd all seen Juwan on TV and then... there he was. In our gym. We could see him. We could give him a high five.
The [concentration camps] were swarming with photographers and every new picture of horror served only to diminish the total effect. Now, for a short day, everyone will see what happened to those poor devils in those camps; tomorrow, very few will care what happens to them in the future.
US Cycling is doing a lot now with camps in different towns or different regions, but I think a great place, and I'm not sure how much it's been hit, is camps for people that are involved in other sports. Why not put on camps for high school kids that are cross-country runners, because those are the some of the best cyclists.
I always say this will be my last Metal Gear, but the games in the series that I've personally designed and produced-Metal Gear on MSX, MG2, MGS1, 2, 3, 4, Peace Walker and now MGSV-are what constitute a single Metal Gear Saga. With MGSV, I'm finally closing the loop on that saga.
The gear you can't afford is not the barrier keeping you from success. Gear has very little to do with photography.
The blue gear with the red dinosaur is special to me because that's the first gear I wore in NXT.
I don't like necessarily that people think 'Metal Gear' defines me. I love 'Metal Gear,' don't get me wrong. But as a creator, I really want to work on other projects, including new games.
I went to some sports camps when I was really young and hated it. So I changed and went to camps where I could dance all morning and act all afternoon.
A fact was the hard outer cover of meaning, and meaning was the soft living stuff inside a fact. Fact and meaning were the driving cogs of living. If the gear of fact drove the gear of meaning, then they revolved in opposite directions, but put the gear of fantasy between the two and they both revolved in the same direction. Fantasy was and is important; it leads to heaven knows where, but follow it and see. Sometimes it pays off.
There should be a global commitment to try and get rid of UNHCR refugee camps and long-term people in those camps.
I am tremendously excited to introduce a unique 'Metal Gear Solid' experience to a new audience of gamers as well as collaborate with my mentor in game design, Mr. Miyamoto, on 'Metal Gear Solid: The Twin Snakes' for Nintendo GameCube.
There are massive camps in Bollywood. I never belonged to any camps, but I think it was a wrong move. I should have had. It affects your career. It's one big family.
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