A Quote by Deandre Ayton

I wasn't really a student of the game. I just played it because I loved it. I didn't really look into the greats as much. They just put a ball in my hand, and I did what the coach told me to.
I love baseball, I really do. I always told my Dad, I'm not gonna make it working... I like to play ball too much. Which I did. I played hard. You gotta work at this game. You really do. And its fun doing it if you do it the right way.
I think she definitely played a great tournament here. I mean, she reached the final as a very young girl. I know she can be very dangerous. I just did what my coach David told me, that I had to really go for every shot, to not really give her the time for her game. Definitely she's a talented player.
I don't feel that no big stone should be put over my head, saying he did this, he did that. Unless there's something that I really did do. I believe I'm just ordinary. And I'd like for people to think of me that way, as just a guy that tried. Wanted to be loved by other people because he loved people.
Geez, I just played cricket because I loved the game. I never thought about it much, never really had any formal coaching.
To me, it was never about what I accomplished on the football field. It was about the way I played the game. I played the game with a lot of determination, a lot of poise, a lot of pride and I think what you saw out there...was an individual who really just loved the game.
I loved making The Imitation Game and it's really gratifying to hear the audience's response to the character that I play. It was just a little thing that I did because I really liked the film and I liked Benedict [Cumberbatch] and I loved Morten's [director Morten Tyldum] previous film, Headhunters. For me, it was something I did thinking, "Wow, this is a lovely quality piece of work."
I played sometimes about as dull as you can play it. I did things the right way, you know. I think I modeled my playing ability after one of the all time greats, Joe DiMaggio. You always found Joe, when he played, you know, he always threw to the right base. He ran, he caught the ball. He did all the right things. He was an idol of mine in the outfield. He played the game the way it was supposed to be played.
I just find it really shitty that someone who never really produced anything, musically speaking, can just say, "I don't really like it." It just sucks because you put so much work into a record and someone disapproves."
I just got addicted to getting better. My coach gave me a goal to get a tip dunk in a game - you know, a putback dunk off a rebound. I had never done that. He told me that he'd get me a pair of new shoes if I did it. I just kept trying. I couldn't get it, couldn't get it, couldn't get it. It took me a year or so. Finally, one game, I got it.
I really enjoyed working with Daniel [Craig], because he's a brilliant actor at the top of his game. That gave me an opportunity to learn from the best, which is what you're always looking for as a performer in order to grow and get better at your craft. It was also great because he was so nice and incredibly supportive, because it really was an intimidating experience for me. He sort of held my hand and said, "We're in this together and we'll get through it together." And he did look after me.
I'm a coach who likes to have the ball, but what I really think is, 'How can you be in charge of the game?' I think, but maybe I am the only one, that the defensive process can take care of the game. Why is that? Because teams wait to defend. If you create something where you go to defend, to steal the ball where you want, it's different.
I didn't really like reading much before I did 'The Golden Compass'. But then my teacher told me to read it. And I thought, 'Oh God, I'm going to have to read a whole book by myself!' It's not that I couldn't read, it's just that I didn't really like books very much. But the book that she lent me I really enjoyed.
One of the first TV shows that I did was this prank show. And we did a prank where we took a Michael Jackson impersonator and I played his publisher.I was just really good at my job.We were just about to go onto the field to throw out the first pitch just two weeks after 9\11. It was a huge security breach, and we made a lot of cops look really dumb. Producers of the show thought it would be really funny and I didn't think about it because I was a young dumb comedian. So I got arrested and went to jail in the Bronx, and now I can never go back to Yankee Stadium.
I remember my choir teacher in high school told me, 'When in doubt, sing loud.' I'm a terrible singer, but I always auditioned for the musicals, and would get cast in them because I really would just put it all out there. That was really good advice, and I think it works for everything, not just acting.
Restoration I did because I really loved e novel and I like Michael Hoffman, who directed it, but it wasn't a really challenging part for me. I'm not critical of the film: I just don't think I gave a very interesting performance.
It was different when I was young, aged 20, playing the French Open. I didn't have so much experience. I just played tennis because I loved the game.
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