A Quote by Debbie Gibson
The ideal situation would be to bypass all of the drama and mayhem and just get the music right to the people. I'm confident that we'll eventually figure it out.
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I'm in an odd place right now in New York where I routinely get trashed by every daily drama critic and have a few allies among weekly/monthly drama critics, and you sort of plot these things out and figure it out. But it's just what any writer goes through, periods of favor, periods of disfavor. And the trick is just to keep writing and to not let an obsession.
Jane Austen can in fact get more drama out of morality than most other writers can get from shipwreck, battle, murder, or mayhem.
But here's the deal: If I were smart, I could figure out curling. If I were even smarter, I could figure out why people would actually watch other people doing it. I have tried. I can't. I can't even figure out the object of the game. Is it like darts? I just don't get it.
I always write with music. It takes me a while to figure out the right piece of music for what I'm working on. Once I figure it out, that's the only thing I'll play.
I always wanted to do things right and represent myself as somebody that took the art serious and someone that took the business serious also, so I had time to weigh the options and figure it out and do my best to create the situation that was ideal.
You can put my dad in any situation and he's going to figure it out. He's going to figure the people out and how to get along, how to make everyone comfortable.
Right, those relationships with your parents and family are the hardest to figure out, and the same patterns get carried into a band situation.
Figure out what you want, how you want to feel, whatever your motivation is, you have to figure it out. That's step one: where do you want to be? The next thing is just trying to get there and cutting yourself some slack along the way. You're going to have days when you veer off your path, then just get right back on. We all have cheat days, holidays, or celebrations, whatever or period when we can't work out as much as we like, and just do the best you can and when you can get back on track, get back on track.
I think by now I have made it fairly clear that I am not very happy with the word hope. I don't believe in people just hoping. We work for what we want. I always say that one has no right to hope without endeavor, so we work to try and bring about the situation that is necessary for the country, and we are confident that we will get to the negotiation table at one time or another. This is the way all such situations pan out even with the most truculent dictator.
So, I can live with people saying, "I didn't like it." But I can't live with people saying, "There just seems to be no plan here," 'cause there is a plan. And a lot of people fall into that, where they don't know what their show is yet. Their pilot gets picked up, and they have to figure it out. I would hate to be in that situation.
Drama is hate. Drama is pushing your pain onto others. Drama is destruction. Some take pleasure in creating drama while others make excuses to stay stuck in drama. I choose not to step into a web of drama that I can't get out of.
Whatever the raw material, the material itself is unimportant until it's catalyzed by emotional fervor. So in the ideal exchange between me and my listeners, they wouldn't 'figure out' my music. They would feel their pulse racing and the hair standing up on the backs of their necks.
The situation that has not its duty, its ideal, was never yet occupied by man. Yes, here, in this poor, miserable, hampered, despicable actual, wherein thou even now standest, here or nowhere is thy ideal; work it out therefrom, and, working, believe, live, be free. Fool! the ideal is in thyself.
Unfortunately, I am not the typical, old-school, 'Yes dear, you're right,' just to get out of a situation. I am more of the type to work it out until you think I'm right or I think you're right.
I felt quite confident - when you come out of drama school you feel like you're on top of everything. I always tell people to go to drama school even if they've already done movies or whatever because the way you encounter content is so different.
It's not the ideal situation to have two directors. It's just not the ideal thing.
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