A Quote by Deborah Smith

But there's also a strong emotional core to counterbalance the experimentalism, with some incredibly moving passages around the narrator's relationship with her (also female) German teacher. It's beautiful.
She was also incredibly confident, with a way of moving and talking that communicated that she didn't need anyone to tell her she was beautiful or worthwhile.
My first Asian role model was Michelle Kwan. Her beauty comes from within. She's also really beautiful on the outside. But when I first saw her ice-skate, her performance was so moving and beautiful that she just glowed.
You're incredibly beautiful,' I told her, because she was fat, so I thought it would be an especially nice compliment, and also make her like me again, even though I was sexist.
I have learned some core lessons along the way. Among the most important, I have become a firm believer that a strong geopolitical relationship can be born out of a strong economic relationship, which often begins with trade.
Throughout the entire time I was filming 'Thirteen,' I'd just lock myself in my room and listen to Garbage's first album. It was Shirley Manson, Nirvana and Radiohead who got me through everything. Also, Alanis Morissette and Tori Amos. They were so beautiful and strange, and they gave women permission to be angry and emotional, but also strong.
Something you discover as a writer is that actresses who are successful are incredibly smart. For some reason, there's this myth that if you're a beautiful actress, you're not bright, you're a puppet. But it's completely the opposite. These are people with a finely tuned sense of story, and who are also strong and articulate. You have to be, to be a woman holding your own on TV and film sets.
Martial arts are inherently both incredibly impressive and incredibly beautiful. And that's my female nature, maybe, and my instinct, to make things beautiful.
Japanese horror films take the business of being frightening seriously. There is no attempt at postmodernism or humour. They are incredibly melancholy, with a strong emotional core, while remaining absolutely terrifying.
I admire Tebaldi's tone; it's beautiful - also some beautiful phrasing. Sometimes, I actually wish I had her voice.
Ballet Beautiful has made my pregnancy a joy. I've avoided back pain and swelling by keeping my core strong and body moving.
I would love to do a project with all of my female friends and create something from scratch and have some female-driven story with the women in my life who are so strong, confident, and beautiful inside and out.
It can be a work by Mondrian, a piece of music by Schönberg or Mozart, a painting by Leonardo, Barnett Newman or also Jackson Pollock. That's beautiful to me. But also nature. A person can be beautiful as well. And beauty is also defined as 'untouched'. Indeed, that's an ideal: that we humans are untouched and therefore beautiful.
It is particularly moving, and I can say this also as a Protestant Christian, that a German - one of us - has been made Pope.
a mother's death also means the loss of the consistent, supportive family system that once supplied her with a secure home base, she then has to develop her self-confidence and self-esteem through alternate means. Without a mother or mother-figure to guide her, a daughter also has to piece together a female self-image of her own.
I personally have been drawn to female roles who are incredibly strong; females who are dominant and know their own mind; who are feisty in their own way without being annoying. I like it when she has a dark side, but she also has a playful side.
I'm always drawn to strong female leads, so that's what drew me to 'Lost Girl.' I was a 'Buffy' fan and watched it with friends every week. I was also a big fan of 'Alias' when that was on - they both had strong female leads, and that's what draws me in the most.
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